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Modal Subjectivities : Self-Fashioning in the Italian Madrigal.
In this boldly innovative book, renowned musicologist Susan McClary presents an illuminating cultural interpretation of the Italian madrigal, one of the most influential repertories of the Renaissance. A genre that sought to produce simulations in sound of complex interiorities, the madrigal introdu...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Berkeley :
University of California Press,
2004.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 003 | OCoLC | ||
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| 100 | 1 | |a McClary, Susan, |e author. | |
| 245 | 1 | 0 | |a Modal Subjectivities : |b Self-Fashioning in the Italian Madrigal. |
| 264 | 1 | |a Berkeley : |b University of California Press, |c 2004. | |
| 300 | |a 1 online resource (388 pages) | ||
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| 520 | |a In this boldly innovative book, renowned musicologist Susan McClary presents an illuminating cultural interpretation of the Italian madrigal, one of the most influential repertories of the Renaissance. A genre that sought to produce simulations in sound of complex interiorities, the madrigal introduced into music a vast range of new signifying practices: musical representations of emotions, desire, gender stereotypes, reason, madness, tensions between mind and body, and much more. In doing so, it not only greatly expanded the expressive agendas of European music but also recorded certain assum. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a List of Examples; Acknowledgments; 1 Introduction: The Cultural Work of the Madrigal; 2 Night and Deceit: Verdelot's Machiavelli; 3 The Desiring Subject, or Subject to Desire: Arcadelt; 4 Radical Inwardness: Willaert's Musica nova; 5 The Prisonhouse of Mode: Cipriano de Rore; 6 A Coney Island of the Madrigal: Wert and Marenzio; 7 The Luxury of Solipsism: Gesualdo; The Mirtillo/Amarilli Controversy: Monteverdi; 9 I modi; Appendix: Examples; Index. | |
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Madrigals, Italian |z Italy |y 16th century |x Analysis, appreciation. | |
| 650 | 0 | |a Musical form |x History |y 16th century. | |
| 650 | 0 | |a Music theory |x History |y 16th century. | |
| 650 | 0 | |a Music and language. | |
| 650 | 6 | |a Madrigaux italiens |z Italie |y 16e siècle |x Analyse et appréciation. | |
| 650 | 6 | |a Formes musicales |x Histoire |y 16e siècle. | |
| 650 | 6 | |a Théorie musicale |x Histoire |y 16e siècle. | |
| 650 | 6 | |a Musique et langage. | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Classical. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Voice. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Lyrics. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Printed Music |x Vocal. |2 bisacsh | |
| 650 | 7 | |a Music and language. |2 fast |0 (OCoLC)fst01030478 | |
| 650 | 7 | |a Music theory. |2 fast |0 (OCoLC)fst01030620 | |
| 650 | 7 | |a Musical form. |2 fast |0 (OCoLC)fst01030718 | |
| 651 | 7 | |a Italy. |2 fast |0 (OCoLC)fst01204565 | |
| 650 | 1 | 7 | |a Madrigalen. |2 gtt |
| 650 | 1 | 7 | |a Muziekleven. |2 gtt |
| 650 | 1 | 7 | |a Muziektheorie. |2 gtt |
| 651 | 7 | |a Italië. |2 gtt | |
| 650 | 7 | |a Music History & Criticism, Vocal. |2 hilcc | |
| 650 | 7 | |a Music. |2 hilcc | |
| 650 | 7 | |a Music, Dance, Drama & Film. |2 hilcc | |
| 648 | 7 | |a 1500-1599 |2 fast | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 776 | 0 | 8 | |i Print version: |z 9780520234932 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.1525/j.ctt1pq00j |z Texto completo |
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