Anatomy live : performance and the operating theatre /
Anatomy Live demonstrates how the implications of the history of anatomical theatre can be seen at work in the appearance of dancing and acting bodies on stage.
Clasificación: | Libro Electrónico |
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Otros Autores: | |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
[Amsterdam] :
Amsterdam University Press,
©2008.
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Colección: | MediaMatters.
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Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Prologue : men with glass bodies
- Introduction
- Performance documentation 1 : Holoman; Digital cadaver
- Digital cadavers and virtual dissection
- 'Who were you?' : the visible and the visceral
- Performance documentation 2 : excavations : fresh but rotten
- The anatomy lesson of Professor Moxham
- 'Be not faithless but believing' : illusion and doubt in the anatomy theatre
- Performance documentation 3 : De Anatomische Les
- Of dissection and technologies of culture in actor training programs : an example from 1960s West Germany
- Ocular anatomy, chiasm, and theatre architecture as a material phenomenology in early modern Europe
- Performance documentation 4 : Camillo ; Memo 4.0 : the cabinet of memories ; A tear donnor session
- Martin, Massumi, and the matrix
- Performance documentation 5 : sensing presence no. 1 : performing a hyperlink system
- 'Where are you now?': locating the body in contemporary performance
- Performance documentation 6 : Under my skin
- Anatomies of live art
- Performance documentation 7 : Crash
- Restaging the monstrous
- Delirium of the flesh : 'all the dead voices' in the space of the now
- Performance documentation 8 : Körper
- Operating theatres : body-bits and a post-apartheid aesthetics.
- Acknowledgements; Prologue Men with Glass Bodies; Introduction; Performance Documentation 1: Holoman; Digital Cadaver; Digital Cadavers and Virtual Dissection; 'Who Were You?': The Visible and the Visceral; Performance Documentation 2: Excavations : Fresh but Rotten; The Anatomy Lesson of Professor Moxham; 'Be not faithless but believing': Illusion and Doubt in the Anatomy Theatre; Performance Documentation 3: De Anatomische Les; Of Dissection and Technologies of Culture in Actor Training Programs
- an Example from 1960s West Germany.
- Ocular Anatomy, Chiasm, and Theatre Architecture as a Material Phenomenologyin Early Modern EuropePerformance Documentation 4: Camillo
- Memo 4.0: The Cabinet of Memories
- A Tear Donnor Session; Martin, Massumi, and The Matrix; Performance Documentation 5: sensing presence no. 1: performing a hyperlink system; 'Where Are You Now?': Locating the Body in Contemporary Performance; Performance Documentation 6: Under My Skin; Anatomies of Live Art; Performance Documentation 7: Crash; Restaging the Monstrous; Delirium of the Flesh: 'All the Dead Voices' in the Space of the Now.
- Performance Documentation 8: KörperOperating Theatres: Body-bits and a Post-apartheid Aesthetics; Index.