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The virtual life of film /
As almost every aspect of making and viewing movies is replaced by digital technologies, even the notion of "watching a film" is fast becoming an anachronism. With the likely disappearance of celluloid film stock as a medium, and the emergence of new media, what will happen to cinema--and...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge, Mass. :
Harvard University Press,
2007.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Rodowick, David Norman. | |
| 245 | 1 | 4 | |a The virtual life of film / |c D.N. Rodowick. |
| 260 | |a Cambridge, Mass. : |b Harvard University Press, |c 2007. | ||
| 300 | |a 1 online resource (x, 193 pages) : |b illustrations | ||
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| 504 | |a Includes bibliographical references. | ||
| 505 | 0 | |a I. The virtual life of film. Futureworld -- The incredible shrinking medium -- Back to the future -- II. What was cinema? Film begets video -- The death of cinema and the birth of film studies -- A medium in all things -- Automatisms and art -- Automatism and photography -- Succession and the film strip -- Ways of worldmaking -- A world past -- An ethics of time -- III. A new landscape (without image). An elegy for film -- The new "media" -- Paradoxes of perceptual realism -- Real is as real does -- Lost in translation: analogy and index revisited -- Simulation, or automatism as algorithm -- An image that is not "one" -- Two futures for electronic images, or what comes after photography? -- The digital event -- Transcoded ontologies, or "a guess at the riddle" -- Old and new, or the (virtual) renascence of cinema studies. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a As almost every aspect of making and viewing movies is replaced by digital technologies, even the notion of "watching a film" is fast becoming an anachronism. With the likely disappearance of celluloid film stock as a medium, and the emergence of new media, what will happen to cinema--and to cinema studies? In the first of two books exploring this question, Rodowick considers the fate of film and its role in the aesthetics and culture of the twenty-first century | ||
| 546 | |a In English. | ||
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| 650 | 0 | |a Photography |x Digital techniques. | |
| 650 | 0 | |a Digital cinematography. | |
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| 650 | 6 | |a Photographie numérique. | |
| 650 | 7 | |a PHOTOGRAPHY |x Techniques |x Cinematography & Videography. |2 bisacsh | |
| 650 | 7 | |a ART |x Film & Video. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
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| 776 | 0 | 8 | |i Print version: |a Rodowick, David Norman. |t Virtual life of film. |d Cambridge, Mass. : Harvard University Press, 2007 |z 9780674026681 |z 0674026683 |w (DLC) 2007015230 |w (OCoLC)123284771 |
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