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No coward soldiers : Black cultural politics and postwar America /
"In black culture, Martin argues, we see the debate over the profound tension at the core of black identity: the duality of being at once both American and African. And in the transformative postwar period, the intersection between culture and politics became increasingly central to the African...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge, Mass. :
Harvard University Press,
2005.
|
| Colección: | Nathan I. Huggins lectures.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Martin, Waldo E., |d 1951- | |
| 245 | 1 | 0 | |a No coward soldiers : |b Black cultural politics and postwar America / |c Waldo E. Martin, Jr. |
| 260 | |a Cambridge, Mass. : |b Harvard University Press, |c 2005. | ||
| 300 | |a 1 online resource (161 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 490 | 1 | |a The Nathan I. Huggins lectures | |
| 504 | |a Includes bibliographical references (pages 141-152) and index. | ||
| 505 | 0 | |a "Keep on pushin'" -- "I, too, sing America" : Black cultural politics and the national question -- "Spirit in the dark" : Black music and Black freedom -- "Be real black for me" : embodying and representing blackness -- Black to the future. | |
| 520 | 1 | |a "In black culture, Martin argues, we see the debate over the profound tension at the core of black identity: the duality of being at once both American and African. And in the transformative postwar period, the intersection between culture and politics became increasingly central to the African-American fight for equality. In freedom songs, in the exuberance of an Aretha Franklin concert, in Faith Ringgold's exploration of race and sexuality, the personal and social became the political." "Martin explores the place of black culture in this vision and examines the multiple ways in which various forms of expressive culture and various African-American cultural figures influences consciousness and helped effect social action. From the music of John Coltrane and James Brown to the visual arts of Jacob Lawrence and Betye Saar to the dance movements of Alvin Ailey and Arthur Mitchell, Martin discusses how, why, and with what consequences culture became a critical battle site in the freedom struggle. And in an epilogue, he draws the thread of black cultural politics into today's hip-hop culture."--Jacket | |
| 588 | 0 | |a Print version record. | |
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| 650 | 0 | |a Politics and culture |z United States |x History |y 20th century. | |
| 650 | 6 | |a Noirs américains |x Politique et gouvernement |y 20e siècle. | |
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| 650 | 6 | |a Arts noirs américains |y 20e siècle. | |
| 650 | 6 | |a Politique et culture |z États-Unis |x Histoire |y 20e siècle. | |
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| 776 | 0 | 8 | |i Print version: |a Martin, Waldo E., 1951- |t No coward soldiers. |d Cambridge, Mass. : Harvard University Press, 2005 |z 067401507X |z 9780674015074 |w (DLC) 2004051131 |w (OCoLC)55962259 |
| 830 | 0 | |a Nathan I. Huggins lectures. | |
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