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Performing Africa /
The jali--a member of a hereditary group of Mandinka professional performers--is a charismatic but contradictory figure. He is at once the repository of his people's history, the voice of contemporary political authority, the inspiration for African American dreams of an African homeland, and t...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Princeton, N.J. :
Princeton University Press,
©2002.
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| Colección: | Anthropology online.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Ebron, Paulla A., |d 1953- |e author. | |
| 245 | 1 | 0 | |a Performing Africa / |c Paulla A. Ebron. |
| 260 | |a Princeton, N.J. : |b Princeton University Press, |c ©2002. | ||
| 300 | |a 1 online resource (xviii, 244 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references (pages 225-235) and index. | ||
| 505 | 0 | |a Where and when I enter -- Performing Africa -- pt. 1 Representations/performances. -- Music: Europe and Africa -- Performances -- pt. 2 Professional dreams. -- Curators of tradition -- Personalistic economy -- Interview encounters: the performance of profession -- pt. 3 Culture as commodity. -- Travel stories -- Tourists as pilgrims. | |
| 520 | |a The jali--a member of a hereditary group of Mandinka professional performers--is a charismatic but contradictory figure. He is at once the repository of his people's history, the voice of contemporary political authority, the inspiration for African American dreams of an African homeland, and the chief entertainment for the burgeoning transnational tourist industry. Numerous journalists, scholars, politicians, and culture aficionados have tried to pin him down. This book shows how the jali's talents at performance make him a genius at representation--the ideal figure to tell us about the "Africa" that the world imagines, which is always a thing of illusion, magic, and contradiction | ||
| 588 | 0 | |a Print version record. | |
| 546 | |a English. | ||
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| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 650 | 0 | |a Griots |z Gambia |x Music |x History and criticism. | |
| 650 | 0 | |a Mandingo (African people) |z Gambia |x Music |x History and criticism. | |
| 650 | 0 | |a Music |z Gambia |x History and criticism. | |
| 651 | 0 | |a Gambia |x Social life and customs. | |
| 650 | 0 | |a Folklore |x Performance |z Gambia. | |
| 650 | 0 | |a Griots |z Gambia |v Music |x History and criticism. | |
| 650 | 0 | |a Mandingo (African people) |z Gambia |v Music |x History and criticism. | |
| 650 | 6 | |a Griots |z Gambie |v Musique |x Histoire et critique. | |
| 650 | 6 | |a Mandingue (Peuple d'Afrique) |z Gambie |v Musique |x Histoire et critique. | |
| 650 | 6 | |a Musique |z Gambie |x Histoire et critique. | |
| 650 | 6 | |a Folklore |x Interprétation |z Gambie. | |
| 651 | 6 | |a Gambie |x Mœurs et coutumes. | |
| 650 | 6 | |a Griots |z Gambie |x Musique |x Histoire et critique. | |
| 650 | 6 | |a Mandingue (Peuple d'Afrique) |z Gambie |x Musique |x Histoire et critique. | |
| 650 | 7 | |a MUSIC |x Ethnic. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Folk & Traditional. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE |x Anthropology |x General. |2 bisacsh | |
| 650 | 7 | |a Folklore |x Performance |2 fast | |
| 650 | 7 | |a Griots |2 fast | |
| 650 | 7 | |a Mandingo (African people) |2 fast | |
| 650 | 7 | |a Mandingo (African people) |x Music |2 fast | |
| 650 | 7 | |a Manners and customs |2 fast | |
| 650 | 7 | |a Music |2 fast | |
| 651 | 7 | |a Gambia |2 fast | |
| 650 | 1 | 7 | |a Etnomusicologie. |2 gtt |
| 650 | 1 | 7 | |a Beïnvloeding. |2 gtt |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a Music |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Ebron, Paulla A., 1953- |t Performing Africa. |d Princeton, N.J. : Princeton University Press, ©2002 |z 0691074887 |z 9780691074887 |w (DLC) 2001055408 |w (OCoLC)49326408 |
| 830 | 0 | |a Anthropology online. | |
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