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|a Garber, Marjorie B.
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|a Patronizing the arts /
|c Marjorie Garber.
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|a Princeton, NJ :
|b Princeton University Press,
|c ©2008.
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|a 1 online resource (xv, 234 pages) :
|b illustrations
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|a text
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|a Includes bibliographical references and index.
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|a The paradox of patronage -- 2. Governing assumptions -- 3. Minding the business of art -- 4. Arts or sciences -- 5. The university as patron -- Notes -- Index.
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|a What is the role of the arts in American culture? Is art an essential element? If so, how should we support it? Today, as in the past, artists need the funding, approval, and friendship of patrons whether they are individuals, corporations, governments, or nonprofit foundations. But as Patronizing the Arts shows, these relationships can be problematic, leaving artists "patronized"--Both supported with funds and personal interest, while being condescended to for vocations misperceived as play rather than serious work. In this provocative book, Marjorie Garber looks at the history of patronage
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|a Print version record.
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|a English.
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|a JSTOR
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|a JSTOR
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|a JSTOR
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|a Art patronage
|z United States.
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|a Arts
|x Economic aspects
|z United States.
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|a Mécénat
|z États-Unis.
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|a Arts
|x Aspect économique
|z États-Unis.
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|a ART
|x Study & Teaching.
|2 bisacsh
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|a EDUCATION
|x Teaching Methods & Materials
|x Arts & Humanities.
|2 bisacsh
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|a Art patronage
|2 fast
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|a Arts
|x Economic aspects
|2 fast
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|a United States
|2 fast
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|i Print version:
|a Garber, Marjorie B.
|t Patronizing the arts.
|d Princeton, NJ : Princeton University Press, ©2008
|w (DLC) 2008017726
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt7t19w
|z Texto completo
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