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Filming difference : actors, directors, producers, and writers on gender, race, and sexuality in film /
"Addressing representation and identity in a variety of production styles and genres, including experimental film and documentary, independent and mainstream film, and television drama, Filming Difference poses fundamental questions about the ways in which the art and craft of filmmaking force...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Austin :
University of Texas Press,
2009.
|
| Edición: | 1st ed. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Filming difference : |b actors, directors, producers, and writers on gender, race, and sexuality in film / |c edited by Daniel Bernardi. |
| 250 | |a 1st ed. | ||
| 260 | |a Austin : |b University of Texas Press, |c 2009. | ||
| 300 | |a 1 online resource (viii, 378 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references (pages 343-356) and index. | ||
| 505 | 0 | 0 | |t Exposing bodies. Disability is us: remembering, recovering, and remaking the image of disability / |r Laura Kissel -- |t "I saw you naked": "hard" acting in "gay" movies / |r Christopher Bradley -- |t Pain and pleasure in the flesh of Machiko Saito's experimental movies / |r Celine Parreñas Shimizu -- |t Border visions. Framing identities/the evolving self: beyond the academic director / |r Cristina Kotz Cornejo -- |t Indigenism, (in)visibility: notes on migratory film / |r John Thornton Caldwell -- |t Traversing cinematic borders: an interview with Paul Espinosa / |r Daniel Bernardi -- |t Global identities. Del otro lado: border crossings, disappearing souls, and other transgressions / |r C.A. Griffith -- |t Faith in sexual difference: the inquisition of a creative process / |r Daniel S. Cutrara -- |t Dead conversations on art and politics: José Gudalupe Posada interviews John Jota Leaños / |r John Jota Leaños -- |t Independent ambitions. Neither color blind, nor near-sighted: representation, race, and the academic filmmaker / |r Aaron Greer -- |t Performing to perform the other: developing roles different from oneself / |r Sheldon Schiffer -- |t Cinematic reservations: an interview with Chris Eyre / |r Yuri Makino -- |t True Hollywood stories. "And maybe there is a way to give Hollywood the kick in the ass that it needs": an interview with filmmaker Karyn Kusama / |r Dan Rybicky -- |t From Selena to Walkout: an interview with Moctesuma Esparza / |r Kathryn F. Galán -- |t Negotiating the politics of (in)difference in contemporary Hollywood: an interview with Kimberly Peirce / |r Denise Mann -- |t Televising difference: an interview with Paris Barclay / |r Kevin Sandler. |
| 520 | |a "Addressing representation and identity in a variety of production styles and genres, including experimental film and documentary, independent and mainstream film, and television drama, Filming Difference poses fundamental questions about the ways in which the art and craft of filmmaking force creative people to confront stereotypes and examine their own identities while representing the complexities of their subjects. Selections range from C. A. Griffith's "Del Otro Lado: Border Crossings, Disappearing Souls, and Other Transgressions" and Celine Perreñas Shimizu's "Pain and Pleasure in the Flesh of Machiko Saito's Experimental Movies" to Christopher Bradley's "I Saw You Naked: 'Hard' Acting in 'Gay' Movies," along with Kevin Sandler's interview with Paris Barclay, Yuri Makino's interview with Chris Eyre, and many other perspectives on the implications of film production, writing, producing, and acting. Technical aspects of the craft are considered as well, including how contributors to filmmaking plan and design films and episodic television that feature difference, and how the tools of cinema--such as cinematography and lighting--influence portrayals of gender, race, and sexuality. The struggle between economic pressures and the desire to produce thought-provoking, socially conscious stories forms another core issue raised in Filming Difference. Speaking with critical rigor and creative experience, the contributors to this collection communicate the power of their media."--Google Books viewed Mar. 11, 2020. | ||
| 588 | 0 | |a Print version record. | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 546 | |a English. | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Social problems in motion pictures. | |
| 650 | 0 | |a Sex role in motion pictures. | |
| 650 | 0 | |a Race relations in motion pictures. | |
| 650 | 0 | |a Motion picture producers and directors |z United States |v Interviews. | |
| 650 | 0 | |a Motion picture actors and actresses |z United States |v Interviews. | |
| 650 | 0 | |a Screenwriters |z United States |v Interviews. | |
| 650 | 6 | |a Problèmes sociaux au cinéma. | |
| 650 | 6 | |a Rôle selon le sexe au cinéma. | |
| 650 | 6 | |a Relations raciales au cinéma. | |
| 650 | 6 | |a Producteurs et réalisateurs de cinéma |z États-Unis |v Entretiens. | |
| 650 | 6 | |a Scénaristes |z États-Unis |v Entretiens. | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Motion picture actors and actresses |2 fast | |
| 650 | 7 | |a Motion picture producers and directors |2 fast | |
| 650 | 7 | |a Race relations in motion pictures |2 fast | |
| 650 | 7 | |a Screenwriters |2 fast | |
| 650 | 7 | |a Sex role in motion pictures |2 fast | |
| 650 | 7 | |a Social problems in motion pictures |2 fast | |
| 651 | 7 | |a United States |2 fast | |
| 650 | 7 | |a Geschlechterrolle |g Motiv |2 gnd | |
| 650 | 7 | |a Rassismus |g Motiv |2 gnd | |
| 650 | 7 | |a Erotik |g Motiv |2 gnd | |
| 650 | 7 | |a Filmschaffender |2 gnd | |
| 650 | 7 | |a Film |2 gnd | |
| 650 | 7 | |a Geschlechterrolle. |2 idszbz | |
| 650 | 7 | |a Gesellschaft. |2 idszbz | |
| 650 | 7 | |a Soziale Probleme. |2 idszbz | |
| 650 | 7 | |a Rassenbeziehung. |2 idszbz | |
| 650 | 7 | |a Motiv (Kunst) |2 idszbz | |
| 650 | 7 | |a Film. |2 idszbz | |
| 650 | 7 | |a Filmschaffende. |2 idszbz | |
| 651 | 7 | |a USA. |2 idszbz | |
| 655 | 7 | |a Interviews |2 fast | |
| 700 | 1 | |a Bernardi, Daniel, |d 1964- |e editor. | |
| 776 | 0 | 8 | |i Print version: |t Filming difference. |b 1st ed. |d Austin : University of Texas Press, 2009 |z 029271923X |z 9780292719231 |w (DLC) 2008049869 |w (OCoLC)276274644 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.7560/719231 |z Texto completo |
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