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The songs of Edvard Grieg /

Edvard Grieg's 180 songs mirror his artistic and personal development more intimately than any of his other music, yet are still the least known part of his output. This definitive appraisal, now revised and updated, discusses every song, including those left only in manuscript and sketches at...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Foster, Beryl (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Norwegian
Publicado: Woodbridge, Suffolk, UK ; Rochester, NY : Boydell Press, 2007.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 4 |a The songs of Edvard Grieg /  |c Beryl Foster. 
264 1 |a Woodbridge, Suffolk, UK ;  |a Rochester, NY :  |b Boydell Press,  |c 2007. 
300 |a 1 online resource (ix, 269 pages) :  |b illustrations 
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546 |a Includes song lyrics in Norwegian, translated into English. 
504 |a Includes bibliographical references (pages 251-256) and indexes. 
500 |a "Revised and updated for this edition"--Page 4 of cover 
500 |a Originally published: Aldershot : Scolar Press, 1990. 
505 0 |a Folk-song to art-song -- Translation and interpretation -- 'Lillegrieg' -- Melodies of the heart -- 'A balanced mind, a spiritual vitality ... ' -- 'The claim of the ideal' -- ' ... awakened from a long, long trance' -- 'The mountain thrall' -- 'The goal' -- Travels and 'Travel memories' -- 'Homecoming' -- Haugtussa -- 'Music's torch, which ever burns ... '. 
588 0 |a Print version record. 
520 |a Edvard Grieg's 180 songs mirror his artistic and personal development more intimately than any of his other music, yet are still the least known part of his output. This definitive appraisal, now revised and updated, discusses every song, including those left only in manuscript and sketches at the composer's death, set against the background of his life and times. It also deals with the poetry set, often chosen to reflect his current situation, and the poets, several of whom, including great figures of the day such as Ibsen and Bjornson, were his friends and colleagues. Grieg frequently bemoaned poor translations and indifferent performances, and the various editions and translations, from first publication to the present day, are also discussed, together with his own ideas for interpretation. Musical examples and ysis are included to give a closer understanding of Grieg's word-setting and harmonic development, although their performance is always kept paramount. BERYL FOSTER is a graduate of London University and studied singing in Colchester and at the Royal College of Music. As well as all the usual repertoire, since 1980 she has made a particular study of the songs of Grieg and other Norwegian composers, giving recitals, lectures and workshops in Britain, Norway, Germany, the Netherlands, Italy and China. She is also a private teacher and festival adjudicator. 
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