Mozart's Viennese instrumental music : a study of stylistic re-invention /

The stylistic evolution of Mozart's Viennese instrumental repertory as a whole [1781-1791], closely tied to historical and contextual lines of inquiry, has yet to receive systematic attention. This book fills the gap through a study of stylistic re-invention, a practically- and empirically-base...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Keefe, Simon P., 1968-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Woodbridge : Boydell, 2007.
Temas:
Mozart, Wolfgang Amadeus, > 1756-1791 > Criticism and interpretation.
Mozart, Wolfgang Amadeus, > 1756-1791. > Concertos, > piano, orchestre.
Mozart, Wolfgang Amadeus, > 1756-1791 > Musique instrumentale.
Mozart, Wolfgang Amadeus > 1756-1791
Mozart, Wolfgang Amadeus, > 1756-1791.
Mozart, Wolfgang Amadeus.
Instrumental music > Analysis, appreciation.
Musique instrumentale > Analyse et appréciation.
MUSIC > Musical Instruments > General.
MUSIC > History & Criticism.
Instrumentalmusik
Criticism, interpretation, etc.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Introduction: Mozart and stylistic re-invention
  • I. PIANO CONCERTOS. 'An entirely special manner': Mozart's Piano Concerto No. 14 in E♭, K. 449, and the stylistic implications of confrontation
  • On the grand, brilliant and intimate: Mozart's Piano Concertos K. 450-K. 503 (1784-86)
  • A complementary pair: stylistic experimentation in Mozart's final Piano Concertos, No. 26 in D, K. 537 (the 'Coronation'), and No. 27 in B♭, K. 595
  • II. STRING QUARTETS. An integrated 'dissonance': Mozart's 'Haydn' Quartets and the slow introduction of K. 465
  • Mozart's 'Prussian' Quartets, K. 575, 589 and 590: towards a new aesthetic of the string quartet
  • III. SYMPHONIES. The 'Jupiter' Symphony in D, K.551: the dramatic finale and its stylistic significance in Mozart's orchestral oeuvre
  • IV. CONCLUSIONS. Mozart's stylistic re-invention in musical context.

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