Cargando…

Mozart's Viennese instrumental music : a study of stylistic re-invention /

The stylistic evolution of Mozart's Viennese instrumental repertory as a whole [1781-1791], closely tied to historical and contextual lines of inquiry, has yet to receive systematic attention. This book fills the gap through a study of stylistic re-invention, a practically- and empirically-base...

Descripción completa

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Keefe, Simon P., 1968-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Woodbridge : Boydell, 2007.
Temas:
Acceso en línea:Texto completo

MARC

LEADER 00000cam a2200000 a 4500
001 JSTOR_ocn427915631
003 OCoLC
005 20231005004200.0
006 m o d
007 cr cnu---unuuu
008 090727s2007 enkg ob 001 0 eng d
040 |a N$T  |b eng  |e pn  |c N$T  |d OCLCQ  |d YDXCP  |d OCLCQ  |d E7B  |d OCLCE  |d OCLCQ  |d JSTOR  |d OCLCA  |d CAMBR  |d OCLCF  |d OCLCQ  |d OCLCA  |d HEBIS  |d OCLCO  |d IOG  |d EZ9  |d TXC  |d LVT  |d OCLCQ  |d OCLCO  |d OCLCA  |d OCLCQ  |d OCLCO  |d OCL  |d OCLCQ  |d UKMGB 
015 |a GBC3F3162  |2 bnb 
016 7 |z 013741459  |2 Uk 
016 7 |a 021164768  |2 Uk 
019 |a 646889059  |a 654474059  |a 795651040 
020 |a 9781846155765  |q (electronic bk.) 
020 |a 1846155762  |q (electronic bk.) 
020 |z 9781843833192  |q (hbk.) 
020 |z 1843833190  |q (hbk.) 
029 1 |a AU@  |b 000056801034 
029 1 |a UKMGB  |b 021164768 
035 |a (OCoLC)427915631  |z (OCoLC)646889059  |z (OCoLC)654474059  |z (OCoLC)795651040 
037 |a 22573/ctt1zdnc  |b JSTOR 
050 4 |a MT92.M7  |b K44 2007eb 
072 7 |a MUS  |x 023000  |2 bisacsh 
072 7 |a MUS020000  |2 bisacsh 
072 7 |a AVH  |2 bicssc 
072 7 |a AVGC4  |2 bicssc 
082 0 4 |a 784.092  |2 22 
049 |a UAMI 
100 1 |a Keefe, Simon P.,  |d 1968- 
245 1 0 |a Mozart's Viennese instrumental music :  |b a study of stylistic re-invention /  |c Simon P. Keefe. 
260 |a Woodbridge :  |b Boydell,  |c 2007. 
300 |a 1 online resource (viii, 217 pages) :  |b music 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
347 |a data file 
504 |a Includes bibliographical references and index. 
588 0 |a Print version record. 
505 0 |a Introduction: Mozart and stylistic re-invention -- I. PIANO CONCERTOS. 'An entirely special manner': Mozart's Piano Concerto No. 14 in E♭, K. 449, and the stylistic implications of confrontation -- On the grand, brilliant and intimate: Mozart's Piano Concertos K. 450-K. 503 (1784-86) -- A complementary pair: stylistic experimentation in Mozart's final Piano Concertos, No. 26 in D, K. 537 (the 'Coronation'), and No. 27 in B♭, K. 595 -- II. STRING QUARTETS. An integrated 'dissonance': Mozart's 'Haydn' Quartets and the slow introduction of K. 465 -- Mozart's 'Prussian' Quartets, K. 575, 589 and 590: towards a new aesthetic of the string quartet -- III. SYMPHONIES. The 'Jupiter' Symphony in D, K.551: the dramatic finale and its stylistic significance in Mozart's orchestral oeuvre -- IV. CONCLUSIONS. Mozart's stylistic re-invention in musical context. 
520 |a The stylistic evolution of Mozart's Viennese instrumental repertory as a whole [1781-1791], closely tied to historical and contextual lines of inquiry, has yet to receive systematic attention. This book fills the gap through a study of stylistic re-invention, a practically- and empirically-based theory that explains how innovative, putatively inspired ideas take shape in Mozart's works and lead to stylistic re-formulation. Re-invention comprises a two-stage process: Mozart manipulates pre-existent stylistic features of his music to climactic effect, in so doing introducing a demonstrably 'new' stylistic dimension with broad aesthetic resonance; he subsequently re-appraises his style in response to the dimension in question. From close examination of a variety of Mozart's works [piano concertos, string quartets and symphonies in particular], supported by study of Mozart's other chamber and dramatic works, the author shows that stylistic re-invention is a consistent and coherent manifestation of stylistic development. Ultimately re-invention puts center stage the interaction of intellectual and imaginative elements of Mozart's musical personality, accounting both for process of reflection and re-appraisal and for striking conceptual leaps. 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
590 |a JSTOR  |b Books at JSTOR All Purchased 
590 |a JSTOR  |b Books at JSTOR Evidence Based Acquisitions 
600 1 0 |a Mozart, Wolfgang Amadeus,  |d 1756-1791  |x Criticism and interpretation. 
600 1 6 |a Mozart, Wolfgang Amadeus,  |d 1756-1791.  |t Concertos,  |m piano, orchestre. 
600 1 6 |a Mozart, Wolfgang Amadeus,  |d 1756-1791  |t Musique instrumentale. 
600 1 7 |a Mozart, Wolfgang Amadeus  |d 1756-1791  |2 embne 
600 1 7 |a Mozart, Wolfgang Amadeus,  |d 1756-1791.  |2 fast  |0 (OCoLC)fst00050702 
600 1 7 |a Mozart, Wolfgang Amadeus  |d 1756-1791  |2 gnd 
600 1 7 |a Mozart, Wolfgang Amadeus.  |2 swd 
650 0 |a Instrumental music  |x Analysis, appreciation. 
650 6 |a Musique instrumentale  |x Analyse et appréciation. 
650 7 |a MUSIC  |x Musical Instruments  |x General.  |2 bisacsh 
650 7 |a MUSIC  |x History & Criticism.  |2 bisacsh 
650 7 |a Instrumental music  |x Analysis, appreciation.  |2 fast  |0 (OCoLC)fst00974415 
650 7 |a Instrumentalmusik  |2 gnd 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
776 0 8 |i Print version:  |a Keefe, Simon P., 1968-  |t Mozart's Viennese instrumental music.  |d Woodbridge : Boydell, 2007  |z 9781843833192  |z 1843833190  |w (DLC) 2007281372  |w (OCoLC)124977095 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.7722/j.ctt81f2b  |z Texto completo 
938 |a ebrary  |b EBRY  |n ebr10354657 
938 |a EBSCOhost  |b EBSC  |n 278081 
938 |a YBP Library Services  |b YANK  |n 3074589 
994 |a 92  |b IZTAP