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|a UAMI
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|a Keefe, Simon P.,
|d 1968-
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|a Mozart's Viennese instrumental music :
|b a study of stylistic re-invention /
|c Simon P. Keefe.
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|a Woodbridge :
|b Boydell,
|c 2007.
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|a 1 online resource (viii, 217 pages) :
|b music
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|a text
|b txt
|2 rdacontent
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|a computer
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|a online resource
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|a Includes bibliographical references and index.
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|a Print version record.
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|a Introduction: Mozart and stylistic re-invention -- I. PIANO CONCERTOS. 'An entirely special manner': Mozart's Piano Concerto No. 14 in E♭, K. 449, and the stylistic implications of confrontation -- On the grand, brilliant and intimate: Mozart's Piano Concertos K. 450-K. 503 (1784-86) -- A complementary pair: stylistic experimentation in Mozart's final Piano Concertos, No. 26 in D, K. 537 (the 'Coronation'), and No. 27 in B♭, K. 595 -- II. STRING QUARTETS. An integrated 'dissonance': Mozart's 'Haydn' Quartets and the slow introduction of K. 465 -- Mozart's 'Prussian' Quartets, K. 575, 589 and 590: towards a new aesthetic of the string quartet -- III. SYMPHONIES. The 'Jupiter' Symphony in D, K.551: the dramatic finale and its stylistic significance in Mozart's orchestral oeuvre -- IV. CONCLUSIONS. Mozart's stylistic re-invention in musical context.
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|a The stylistic evolution of Mozart's Viennese instrumental repertory as a whole [1781-1791], closely tied to historical and contextual lines of inquiry, has yet to receive systematic attention. This book fills the gap through a study of stylistic re-invention, a practically- and empirically-based theory that explains how innovative, putatively inspired ideas take shape in Mozart's works and lead to stylistic re-formulation. Re-invention comprises a two-stage process: Mozart manipulates pre-existent stylistic features of his music to climactic effect, in so doing introducing a demonstrably 'new' stylistic dimension with broad aesthetic resonance; he subsequently re-appraises his style in response to the dimension in question. From close examination of a variety of Mozart's works [piano concertos, string quartets and symphonies in particular], supported by study of Mozart's other chamber and dramatic works, the author shows that stylistic re-invention is a consistent and coherent manifestation of stylistic development. Ultimately re-invention puts center stage the interaction of intellectual and imaginative elements of Mozart's musical personality, accounting both for process of reflection and re-appraisal and for striking conceptual leaps.
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a Mozart, Wolfgang Amadeus,
|d 1756-1791
|x Criticism and interpretation.
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|a Mozart, Wolfgang Amadeus,
|d 1756-1791.
|t Concertos,
|m piano, orchestre.
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|a Mozart, Wolfgang Amadeus,
|d 1756-1791
|t Musique instrumentale.
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|a Mozart, Wolfgang Amadeus
|d 1756-1791
|2 embne
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|a Mozart, Wolfgang Amadeus,
|d 1756-1791.
|2 fast
|0 (OCoLC)fst00050702
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|a Mozart, Wolfgang Amadeus
|d 1756-1791
|2 gnd
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|a Mozart, Wolfgang Amadeus.
|2 swd
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|a Instrumental music
|x Analysis, appreciation.
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|a Musique instrumentale
|x Analyse et appréciation.
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|a MUSIC
|x Musical Instruments
|x General.
|2 bisacsh
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|a MUSIC
|x History & Criticism.
|2 bisacsh
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|a Instrumental music
|x Analysis, appreciation.
|2 fast
|0 (OCoLC)fst00974415
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|a Instrumentalmusik
|2 gnd
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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|i Print version:
|a Keefe, Simon P., 1968-
|t Mozart's Viennese instrumental music.
|d Woodbridge : Boydell, 2007
|z 9781843833192
|z 1843833190
|w (DLC) 2007281372
|w (OCoLC)124977095
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|u https://jstor.uam.elogim.com/stable/10.7722/j.ctt81f2b
|z Texto completo
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