|
|
|
|
LEADER |
00000cam a2200000 a 4500 |
001 |
JSTOR_ocn427681246 |
003 |
OCoLC |
005 |
20231005004200.0 |
006 |
m o d |
007 |
cr cn||||||||| |
008 |
060321s2007 oncaf ob 001 0 eng |
040 |
|
|
|a CaOONL
|b eng
|e pn
|c GPRCL
|d OCLCQ
|d E7B
|d OCLCQ
|d FXR
|d CELBN
|d OCLCQ
|d JSTOR
|d N$T
|d YDXCP
|d OCLCF
|d NLGGC
|d OCLCQ
|d EBLCP
|d OCLCQ
|d DEBBG
|d AGLDB
|d OCLCQ
|d YDX
|d IOG
|d OCLCO
|d VTS
|d YOU
|d OCLCQ
|d M8D
|d UKAHL
|d OCLCA
|d OCLCQ
|d CUS
|d OCLCQ
|d INARC
|d OCLCA
|d OCLCO
|d OCLCQ
|d MZA
|d OCLCO
|
019 |
|
|
|a 647806275
|a 650083199
|a 708579560
|a 753281188
|a 899262550
|a 923083914
|a 978652215
|a 978912601
|a 999691438
|a 1048335141
|a 1085976122
|a 1100500343
|a 1105967749
|a 1119011679
|a 1157985853
|
020 |
|
|
|a 9781442684171
|q (electronic bk.)
|
020 |
|
|
|a 1442684178
|q (electronic bk.)
|
020 |
|
|
|z 9780802090942
|q (print)
|
020 |
|
|
|z 802092233
|q (print)
|
020 |
|
|
|z 080209094X
|
029 |
1 |
|
|a AU@
|b 000053000956
|
029 |
1 |
|
|a DEBBG
|b BV043118567
|
029 |
1 |
|
|a DEBBG
|b BV043493250
|
029 |
1 |
|
|a DEBSZ
|b 421228377
|
029 |
1 |
|
|a DEBSZ
|b 477997988
|
029 |
1 |
|
|a GBVCP
|b 856547700
|
035 |
|
|
|a (OCoLC)427681246
|z (OCoLC)647806275
|z (OCoLC)650083199
|z (OCoLC)708579560
|z (OCoLC)753281188
|z (OCoLC)899262550
|z (OCoLC)923083914
|z (OCoLC)978652215
|z (OCoLC)978912601
|z (OCoLC)999691438
|z (OCoLC)1048335141
|z (OCoLC)1085976122
|z (OCoLC)1100500343
|z (OCoLC)1105967749
|z (OCoLC)1119011679
|z (OCoLC)1157985853
|
037 |
|
|
|a 22573/ctt58k15
|b JSTOR
|
050 |
|
4 |
|a N72.T4
|b M37 2007eb
|
055 |
|
9 |
|a N72*
|
055 |
|
8 |
|a N72 T4
|b M37 2006
|
055 |
|
8 |
|a N72 T4
|b M37 2007 fol.
|
072 |
|
7 |
|a ART023000
|2 bisacsh
|
072 |
|
7 |
|a ART
|x 000000
|2 bisacsh
|
082 |
0 |
4 |
|a 701/.05
|
049 |
|
|
|a UAMI
|
100 |
1 |
|
|a McRobert, Laurie,
|e author.
|
245 |
1 |
0 |
|a Char Davies' immersive virtual art and the essence of spatiality /
|c Laurie McRobert.
|
260 |
|
|
|a Toronto [Ont.] :
|b University of Toronto Press,
|c ©2007.
|
300 |
|
|
|a 1 online resource (x, 190 pages, 32 unnumbered pages of plates) :
|b illustrations (some color)
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
504 |
|
|
|a Includes bibliographical references and index.
|
588 |
0 |
|
|a Print version record.
|
505 |
0 |
|
|a ""Contents""; ""Illustrations""; ""Acknowledgments""; ""Abbreviations""; ""Introduction""; ""1 The Dynamics of Immersive Virtual Art""; ""2 Digital Knowing versus Digital Being""; ""3 Heidegger, Davies, and Technological Essence""; ""4 Substantial Essence""; ""5 On Up/Down Paradigms and the �Essence of Spatiality�""; ""6 The Essence of Cyberspace and Immersive Virtual Spatiality""; ""7 Instincts and the Unconscious: Digital Transcendence and Essential Spatiality""; ""8 Speculative Inquiries into the Elements of Char Davies� Immersive Virtual Art""; ""Epilogue""; ""Appendix""; ""Notes""
|
505 |
8 |
|
|a IndexA -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Z
|
520 |
|
|
|a In this first book-length study of the internationally renowned Canadian artist Char Davies, Laurie McRobert examines the digital installations Osmoseand Ephémèrein the context of Davies' artistic and conceptual inspirations. Davies, originally a painter, turned to technology in an effort to create the effect of osmosis between self and world. By donning a head-mounted display unit and a body vest to monitor breathing and balance, participants are immersed in 3D-virtual space where they interact with abstract images of nature while maneuvering in an artificial spatial environment. Char Davies' Immersive Virtual Art and the Essence of Spatiality explores spatiality through a broad scope of disciplines, including philosophy, mythology, biology, and visual studies, in order to familiarize the reader with virtual reality art -- how it differs from traditional artistic media and why immersive virtual art promises to expand our imaginative horizons. This original study provides us with an important exposition of two of Char Davies' acclaimed projects and an exploration of the future impact of digital virtual art on our worldviews. -- Publisher description.
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
|
590 |
|
|
|a JSTOR
|b Books at JSTOR All Purchased
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
|
600 |
1 |
0 |
|a Davies, Char.
|
600 |
1 |
6 |
|a Davies, Char.
|
600 |
1 |
7 |
|a Davies, Char
|2 fast
|
600 |
1 |
7 |
|a Davies, Char.
|2 swd
|
650 |
|
0 |
|a Interactive art.
|
650 |
|
0 |
|a Virtual reality in art.
|
650 |
|
0 |
|a Art and technology.
|
650 |
|
6 |
|a Art et technologie.
|
650 |
|
6 |
|a Réalité virtuelle dans l'art.
|
650 |
|
6 |
|a Art interactif.
|
650 |
|
7 |
|a interactive art.
|2 aat
|
650 |
|
7 |
|a ART
|x Popular Culture.
|2 bisacsh
|
650 |
|
7 |
|a ART
|x General.
|2 bisacsh
|
650 |
|
7 |
|a Art and technology
|2 fast
|
650 |
|
7 |
|a Interactive art
|2 fast
|
650 |
|
7 |
|a Virtual reality in art
|2 fast
|
650 |
|
7 |
|a Raumvorstellung
|2 gnd
|
650 |
|
7 |
|a Virtualisierung
|2 gnd
|
650 |
|
7 |
|a Ästhetik
|2 gnd
|
655 |
|
0 |
|a Electronic books.
|
776 |
0 |
8 |
|i Print version:
|a McRobert, Laurie.
|t Char Davies' immersive virtual art and the essence of spatiality.
|d Toronto : University of Toronto Press, ©2007
|w (DLC) 2007276320
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.3138/9781442684171
|z Texto completo
|
936 |
|
|
|a BATCHLOAD
|
938 |
|
|
|a Canadian Electronic Library
|b CELB
|n 10303714
|
938 |
|
|
|a ProQuest Ebook Central
|b EBLB
|n EBL3263300
|
938 |
|
|
|a Internet Archive
|b INAR
|n chardaviesimmers0000mcro
|
938 |
|
|
|a EBSCOhost
|b EBSC
|n 682484
|
938 |
|
|
|a YBP Library Services
|b YANK
|n 3050078
|
938 |
|
|
|a Askews and Holts Library Services
|b ASKH
|n AH35091104
|
994 |
|
|
|a 92
|b IZTAP
|