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|a O'Callaghan, Michelle.
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|a Thomas Middleton, Renaissance dramatist /
|c Michelle O'Callaghan.
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|a Edinburgh :
|b Edinburgh University Press,
|c ©2009.
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|a 1 online resource (xii, 190 pages)
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|a text
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|a Renaissance dramatists
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|a Includes bibliographical references (pages 173-183) and index.
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|a Cover -- Copyright -- Contents -- Acknowledgements -- Note on the text -- Chronology -- Introduction -- Chapter 1 Life -- Chapter 2 City Comedies: Mad World, My Masters, Michaelmas Term and A Trick to Catch the Old One -- Chapter 3 Authorship, Collaboration and the London Theatre: Middleton and Dekker, The Roaring Girl -- Chapter 4 Tragicomedy and the City: Chaste Maid in Cheapside and No Wit, No Help Like a Woman's -- Chapter 5 The Playwright as Craftsman: Middleton's Civic Pageants -- Chapter 6 Plotting Revenge: The Revenger's Tragedy, Women Beware Women and The Lady's Tragedy -- Chapter 7 Partners in Tragedy: Middleton and Rowley, The Changeling -- Chapter 8 Politics and Theatre: A Game at Chess -- Bibliography -- Index.
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|a Print version record.
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|f Restrictions unspecified
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
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|a Thomas Middleton is one of the major English Renaissance dramatists alongside Marlowe, Shakespeare and Jonson. Middleton continues to fascinate audiences and readers with his black humour, his wry and witty treatment of sexuality, morality, and politics. He is a consummate professional dramatist, experimenting with stagecraft in a manner that combines the visual and the verbal to startling effect. This book brings together these aspects of Middleton's craft through a detailed study of his major plays. Middleton experimented with, and helped to shape, a range of dramatic genres: city comedy, tragicomedy, romance, and revenge tragedy. This new guide analyses in detail how the plays work in terms of the early modern theatre and dramatic genres, as well as elucidating the broader cultural issues shaping the plays. It provides an introduction to critical readings of Middleton's works as well as modern performances, demonstrating how modern critics, producers, dramatists and film makers see Middleton's dark, playful and challenging plays as speaking to our times. Key Features Ideal student guide with its wide ranging introduction to Middleton's city comedies, tragedies, and collaborative plays and its readings of key texts such as The Roaring Girl, Chaste Maid in Cheapside, Revenger's Tragedy, Women Beware Women, and The Changeling Uses the most recent edition available, the Oxford Middleton (2007) Provides background contexts guiding readers through criticism of the plays as well as recent work on early modern theatre and culture Emphasis on Middleton's stagecraft and its assessment of modern adaptations and film versions of his plays
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|a Middleton, Thomas,
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|i Print version:
|a O'Callaghan, Michelle.
|t Thomas Middleton, Renaissance dramatist.
|d Edinburgh : Edinburgh University Press, ©2009
|z 9780748627806
|z 0748627804
|w (OCoLC)286519610
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|a Renaissance dramatists (Edinburgh, Scotland)
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|u https://jstor.uam.elogim.com/stable/10.3366/j.ctt1g09w1p
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