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Let's make some noise : axé and the African roots of Brazilian popular music /

This is the culmination of years of research on sacred and secular influences of àsé, the West African Yoruba concept imagined as power and creative energy bestowed upon human beings by ancestral spirits acting as guardians, that spread to Brazil and throughout the African Diaspora. In Brazil, the...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Henry, Clarence Bernard (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Jackson : University Press of Mississippi, ©2008.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Henry, Clarence Bernard,  |e author. 
245 1 0 |a Let's make some noise :  |b axé and the African roots of Brazilian popular music /  |c Clarence Bernard Henry. 
260 |a Jackson :  |b University Press of Mississippi,  |c ©2008. 
300 |a 1 online resource (xi, 234 pages) :  |b illustrations, music 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
504 |a Includes bibliographical references (pages 211-226) and index. 
505 0 |a Sacred/secular influences: the reinvention of West African àsé in Brazil -- From the sacred to the secular: popularizing candomblé rhythms -- Axé embodiment in Brazilian popular music: sacred themes, imagery, and symbols -- The sacred/secular popularity of drums and drummers -- Secular impulses: dancing to the beats of different drummers -- Say it loud! I'm Black and I'm proud: popular music and axé embodiment in Bahian carnival/ijexá -- Stylizing axé as Brazilian popular music. 
588 0 |a Print version record. 
520 8 |a This is the culmination of years of research on sacred and secular influences of àsé, the West African Yoruba concept imagined as power and creative energy bestowed upon human beings by ancestral spirits acting as guardians, that spread to Brazil and throughout the African Diaspora. In Brazil, the West African Yoruba concept of àsé is known as axé and has been reinvented, transmitted, and nurtured in Candomblé, an Afro-Brazilian religion that is practised in Salvador, Bahia. The author examines how these concepts have been appropriated and reinvented in Brazilian popular music and culture. 
546 |a English. 
590 |a JSTOR  |b Books at JSTOR All Purchased 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
650 0 |a Popular music  |z Brazil  |x African influences. 
650 0 |a Candomblé music  |x History and criticism. 
650 6 |a Musique populaire  |z Brésil  |x Influence africaine. 
650 6 |a Candomblé (Musique)  |x Histoire et critique. 
650 7 |a MUSIC  |x Genres & Styles  |x Pop Vocal.  |2 bisacsh 
650 7 |a MUSIC  |x Ethnomusicology.  |2 bisacsh 
650 7 |a Candomblé music  |2 fast 
650 7 |a Popular music  |x African influences  |2 fast 
651 7 |a Brazil  |2 fast 
655 0 |a Electronic books. 
655 7 |a Criticism, interpretation, etc.  |2 fast 
776 0 8 |i Print version:  |a Henry, Clarence Bernard.  |t Let's make some noise.  |d Jackson : University Press of Mississippi, ©2008  |z 9781604730821  |z 160473082X  |w (DLC) 2008004436  |w (OCoLC)191846994 
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