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A companion to Luis Buñuel /

Luis Bu©łuel [1900-1983] was one of the truly great film-makers of the twentieth century. Shaped by a repressive Jesuit education and a bourgeois family background, he reacted against both, escaped to Paris, and was soon embraced by Andr©♭ Breton's official surrealist group. His early films are...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Edwards, Gwynne
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Woodbridge, Suffolk, U.K. ; Rochester, N.Y. : Tamesis, ©2005.
Colección:Colección Támesis. Monografías ; 210.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 2 |a A companion to Luis Buñuel /  |c Gwynne Edwards. 
260 |a Woodbridge, Suffolk, U.K. ;  |a Rochester, N.Y. :  |b Tamesis,  |c ©2005. 
300 |a 1 online resource (176 pages) :  |b illustrations 
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490 1 |a Colección Támesis. Serie A, Monografías ;  |v 210 
504 |a Includes filmography (pages 149-163). 
504 |a Includes bibliographical references (pages 164-170) and index. 
505 0 |a Buñuel and the surrealists -- A surrealist in chains -- Buñuel and the bourgeoisie -- 'Thank god I'm still and atheist'. 
588 0 |a Print version record. 
520 |a Luis Bu©łuel [1900-1983] was one of the truly great film-makers of the twentieth century. Shaped by a repressive Jesuit education and a bourgeois family background, he reacted against both, escaped to Paris, and was soon embraced by Andr©♭ Breton's official surrealist group. His early films are his most aggressive and shocking, the slicing of the eyeball in Un Chien andalou [1929] one of the most memorable episodes in the history of cinema. The Forgotten Ones [1950] and He [1952], made in Mexico, were followed, from 1960, in Spain and France, by the films for which he is best known: Viridiana [1961], Belle de jour [1966], Tristana [1970], The Discreet Charm of the Bourgeoisie [1972], and That Obscure Object of Desire [1977]. Gwynne Edwards analyses the films in the context of Bu©łuel's personal obsessions - sex, bourgeois values, and religion - suggesting that the film-maker experienced a degree of sexual inhibition surprising in a surrealist. 
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600 1 0 |a Buñuel, Luis,  |d 1900-1983  |x Criticism and interpretation. 
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