|
|
|
|
LEADER |
00000cam a2200000 a 4500 |
001 |
JSTOR_ocn316604825 |
003 |
OCoLC |
005 |
20231005004200.0 |
006 |
m o d |
007 |
cr cnu---unuuu |
008 |
090321s2005 enka obq 001 0 eng d |
040 |
|
|
|a N$T
|b eng
|e pn
|c N$T
|d YDXCP
|d OCLCQ
|d IDEBK
|d E7B
|d OCLCQ
|d OCLCF
|d OCLCO
|d JSTOR
|d OCLCQ
|d IOG
|d TXC
|d LVT
|d YOU
|d MM9
|d OCLCQ
|d OCLCO
|d OCLCQ
|d CAMBR
|d AUD
|d OCLCO
|
019 |
|
|
|a 646845740
|a 666925197
|a 1077793924
|
020 |
|
|
|a 9781846153846
|q (electronic bk.)
|
020 |
|
|
|a 1846153840
|q (electronic bk.)
|
020 |
|
|
|z 185566108X
|q (hardback ;
|q alk. paper)
|
029 |
1 |
|
|a AU@
|b 000056798925
|
035 |
|
|
|a (OCoLC)316604825
|z (OCoLC)646845740
|z (OCoLC)666925197
|z (OCoLC)1077793924
|
037 |
|
|
|a 22573/ctt8vsrdb
|b JSTOR
|
050 |
|
4 |
|a PN1998.3.B86
|b E38 2005eb
|
072 |
|
7 |
|a PER
|x 004010
|2 bisacsh
|
072 |
|
7 |
|a PER004010
|2 bisacsh
|
072 |
|
7 |
|a BIO026000
|2 bisacsh
|
082 |
0 |
4 |
|a 791.4302/33/092
|2 22
|
084 |
|
|
|a 24.32
|2 bcl
|
049 |
|
|
|a UAMI
|
100 |
1 |
|
|a Edwards, Gwynne.
|
245 |
1 |
2 |
|a A companion to Luis Buñuel /
|c Gwynne Edwards.
|
260 |
|
|
|a Woodbridge, Suffolk, U.K. ;
|a Rochester, N.Y. :
|b Tamesis,
|c ©2005.
|
300 |
|
|
|a 1 online resource (176 pages) :
|b illustrations
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
347 |
|
|
|a data file
|
380 |
|
|
|a Filmography
|
490 |
1 |
|
|a Colección Támesis. Serie A, Monografías ;
|v 210
|
504 |
|
|
|a Includes filmography (pages 149-163).
|
504 |
|
|
|a Includes bibliographical references (pages 164-170) and index.
|
505 |
0 |
|
|a Buñuel and the surrealists -- A surrealist in chains -- Buñuel and the bourgeoisie -- 'Thank god I'm still and atheist'.
|
588 |
0 |
|
|a Print version record.
|
520 |
|
|
|a Luis Bu©łuel [1900-1983] was one of the truly great film-makers of the twentieth century. Shaped by a repressive Jesuit education and a bourgeois family background, he reacted against both, escaped to Paris, and was soon embraced by Andr©♭ Breton's official surrealist group. His early films are his most aggressive and shocking, the slicing of the eyeball in Un Chien andalou [1929] one of the most memorable episodes in the history of cinema. The Forgotten Ones [1950] and He [1952], made in Mexico, were followed, from 1960, in Spain and France, by the films for which he is best known: Viridiana [1961], Belle de jour [1966], Tristana [1970], The Discreet Charm of the Bourgeoisie [1972], and That Obscure Object of Desire [1977]. Gwynne Edwards analyses the films in the context of Bu©łuel's personal obsessions - sex, bourgeois values, and religion - suggesting that the film-maker experienced a degree of sexual inhibition surprising in a surrealist.
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
|
590 |
|
|
|a JSTOR
|b Books at JSTOR All Purchased
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
|
600 |
1 |
0 |
|a Buñuel, Luis,
|d 1900-1983
|x Criticism and interpretation.
|
600 |
1 |
7 |
|a Buñuel, Luis,
|d 1900-1983
|2 fast
|
600 |
1 |
7 |
|a Buñuel, Luis.
|2 swd
|
650 |
|
7 |
|a PERFORMING ARTS
|x Film & Video
|x Direction & Production.
|2 bisacsh
|
650 |
|
7 |
|a Film
|2 gnd
|
650 |
1 |
7 |
|a Films.
|2 gtt
|
655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|
776 |
0 |
8 |
|i Print version:
|a Edwards, Gwynne.
|t Companion to Luis Buñuel.
|d Woodbridge, Suffolk, U.K. ; Rochester, N.Y. : Tamesis, ©2005
|z 185566108X
|z 9781855661080
|w (DLC) 2004017554
|w (OCoLC)56051083
|
830 |
|
0 |
|a Colección Támesis.
|n Serie A,
|p Monografías ;
|v 210.
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.7722/j.ctt9qdnw1
|z Texto completo
|
938 |
|
|
|a ebrary
|b EBRY
|n ebr10343202
|
938 |
|
|
|a EBSCOhost
|b EBSC
|n 266431
|
938 |
|
|
|a ProQuest MyiLibrary Digital eBook Collection
|b IDEB
|n 208023
|
938 |
|
|
|a YBP Library Services
|b YANK
|n 2985551
|
994 |
|
|
|a 92
|b IZTAP
|