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|a UAMI
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|a Hillger, Annick,
|e author.
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|a Not needing all the words :
|b Michael Ondaatje's literature of silence /
|c Annick Hillger.
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|a Montreal :
|b McGill-Queen's University Press,
|c [2006]
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|c ©2006
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|a 1 online resource (x, 267 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Includes bibliographical references (pages 249-262) and index.
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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|a Print version record.
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|a "This is the first study of the quest for self and Canadian identity in the fiction and poetry of Michael Ondaatje. Reading selected texts by Ondaatje, including the novels In the Skin of a Lion and The English Patient and the poem "Birch Bark," Annick Hillger demonstrates how Ondaatje's writing both answers and challenges attempts to delineate the idea of a Canadian national self. She sets his work within the context of theoretical and philosophical ideas, developing the notion of a "literature of silence" that is concerned with finding a ground for self beyond the realm of language."--Jacket
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|g Introduction: Reading "Birch Bark" -- how to mourn the loss of the logos --
|g pt. I. An aesthetics of silence ;
|t 1. Orpheus is dismembered ;
|t 2. Writing disaster: "Stars Who Implode into Silence" ;
|t 3. "Moving to the Clear": a poetics of process ;
|t 4. The Dionysian principle of becoming.
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Ondaatje, Michael,
|d 1943-
|x Criticism and interpretation.
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|a Ondaatje, Michael,
|d 1943-
|x Critique et interprétation.
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|a Ondaatje, Michael,
|d 1943-
|2 fast
|0 (OCoLC)fst00000695
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|a Canadian literature
|y 20th century
|x History and criticism.
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|a Modernism (Literature)
|z Canada.
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|a Modernisme (Littérature)
|z Canada.
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|a LITERARY CRITICISM
|x American
|x General.
|2 bisacsh
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|a LITERARY CRITICISM
|x Canadian.
|2 bisacsh
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|a Canadian literature.
|2 fast
|0 (OCoLC)fst00845111
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|a Modernism (Literature)
|2 fast
|0 (OCoLC)fst01024455
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|a Canada.
|2 fast
|0 (OCoLC)fst01204310
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|a 1900-1999
|2 fast
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|a Electronic books.
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|a Literary criticism.
|2 fast
|0 (OCoLC)fst01986215
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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|a Literary criticism.
|2 lcgft
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|a Critiques littéraires.
|2 rvmgf
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|i Print version:
|a Hillger, Annick.
|t Not needing all the words.
|d Montreal ; Ithaca : McGill-Queen's University Press, ©2006
|z 9780773530300
|w (DLC) 2007271578
|w (OCoLC)62691287
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt816qz
|z Texto completo
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