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The reluctant film art of Woody Allen /
For three decades, no American filmmaker has been as prolific--or as paradoxical--as Woody Allen. From Play It Again, Sam (1972) through Celebrity (1998) and Sweet and Lowdown (1999), Allen has produced an average of one film a year, yet in many of these films Allen reveals a progressively skeptical...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Lexington, Ky. :
University Press of Kentucky,
©2001.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- That Old Black Magic: Woody Allen's Ambivalent Artistry
- Strictly the Movies: Play It Again, Sam
- Getting Serious: The Antimimetic Emblems of Annie Hall
- Art and Idealization: I'll Fake Manhattan
- Strictly the Movies II: How Radio Days Generated Nights at the Movies
- Life Stand Still Here: Interiors Dialogue
- In the Stardust of a Song: Stardust Memories
- Woody's Mild Jewish Rose: Broadway Danny Rose
- The Fine Art of Living Well: Hannah and Her Sisters
- If You Want a Hollywood Ending: Crimes and Misdemeanors
- Everyone Loves Her/His Illusions: The Purple Rose of Cairo and Shadows and Fog
- Poetic License, Bullshit: Bullets Over Broadway
- Let's Just Live It: Woody Allen in the 1990s
- Because It's Real Difficult in Life: Husbands and Wives
- Rear Condo: Manhattan Murder Mystery
- That Voodoo That You Do So Well: Mighty Aphrodite
- And What a Perfect Plot: Everyone Says I Love You and Zelig
- How We Choose to Distort It: Deconstructing Harry
- From the Neck Up: Another Woman and Celebrity
- Allen and His Audience: Sweet and Lowdown.