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|a Quitslund, Jon A.
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|a Spenser's supreme fiction :
|b Platonic natural philosophy and the faerie queene /
|c Jon A. Quitslund.
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|a Toronto, Ont. :
|b University of Toronto Press,
|c ©2001.
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|a 1 online resource (xiv, 373 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Includes bibliographical references and index.
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|t The Maker's Mind --
|t The Author in 1580 and 1590 --
|t The Subject of Gender --
|t The Poet's Career in 1580 and 1590 --
|t Dialogical Relations between Gabriel Harvey and Edmund Spenser --
|t The World and the Book --
|t Nature and Myth --
|t 'The whole circle or compasse of Learning' --
|t The Poem as Heterocosm --
|t 'Deepe within the mynd' --
|t The Poet as Magus and Viator --
|t Isomorphism of the Soul and the World --
|t Socratic and Esoteric Humanism --
|t Poetic and Philosophical Discourses --
|t Spenser's Poetry and Ficinian Platonism --
|t Platonic Natural Philosophy in the Aeneid --
|t The Organic Soul or Spiritus --
|t Landino's Commentary on the Aeneid --
|t English Protestant Responses to Platonic Natural Philosophy --
|t 'Within This Wide Great Vniuerse' --
|t Nature in The Faerie Queene: Concepts and Phenomena --
|t Hierarchical and Dynamic Principles --
|t Night and Day; Destiny, Necessity, Providence --
|t Fate and Fortune --
|t Strife and Love --
|t The Four Elements --
|t Sprights and Spirits --
|t Decay --
|t Reading the Garden of Adonis Canto --
|t Sources of the Source --
|t Reading the Garden as a Woman --
|t Courtly and Erudite Trattati d'Amore --
|t Formal Symmetries in the Garden Canto --
|t The Ontological Status of the Garden --
|t Gender Roles and Family Life in the Garden --
|t 'In the thickest couert of that shade' --
|t The Work of Mourning --
|t The Platonic Program of the Garden Canto --
|t Leone Ebreo's Exposition of Two Myths in The Symposium --
|t Louis Le Roy's Le Sympose de Platon --
|t Marsilio Ficino's De Amore --
|t Aristophanes' Myth and the Daughters of Chrysogone.
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|a Print version record.
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|a Quitslund argues that Spenser sought authority for his poem by grounding its narrative in a divinely ordained natural order, intelligible in terms derived from the ancient sources of poetry and philosophy.
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a Spenser, Edmund,
|d 1552?-1599.
|t Faerie queene.
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|a Plato
|x Influence.
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|a Spenser, Edmund,
|d 1552?-1599
|t Faerie queene.
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|a Platon
|x Influence.
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|a Spenser, Edmund,
|d 1552?-1599
|x Et Platon.
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|a Plato
|2 fast
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|a Faerie queene (Spenser, Edmund)
|2 fast
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|a Spenser, Edmund.
|t Faerie queene.
|2 swd
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|a LITERARY CRITICISM
|x Shakespeare.
|2 bisacsh
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|a LITERARY CRITICISM
|x European
|x English, Irish, Scottish, Welsh.
|2 bisacsh
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|a Influence (Literary, artistic, etc.)
|2 fast
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|a Platonismus
|2 gnd
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|i Print version:
|a Quitslund, Jon A.
|t Spenser's supreme fiction.
|d Toronto : University of Toronto Press, ©2001
|z 9780802035059
|w (DLC) 2002511088
|w (OCoLC)47200625
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856 |
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|u https://jstor.uam.elogim.com/stable/10.3138/9781442680111
|z Texto completo
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|a BATCHLOAD
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|a Canadian Electronic Library
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|a Internet Archive
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|a YBP Library Services
|b YANK
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