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A retake please! : Night mail to Western approaches /
This fascinating memoir is a unique contribution to the history of film and cinema. At its centre is the story of the making of the British film classic Western Approaches, the first story documentary in Technicolor, totally enacted by amateurs. It was nominated for an Oscar in the category 'Be...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Liverpool :
Royal Naval Museum Publications and Liverpool University Press,
1999.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Jackson, Pat, |d 1916-2011. | |
| 245 | 1 | 2 | |a A retake please! : |b Night mail to Western approaches / |c Pat Jackson. |
| 260 | |a Liverpool : |b Royal Naval Museum Publications and Liverpool University Press, |c 1999. | ||
| 300 | |a 1 online resource (vii, 309 pages) : |b illustrations | ||
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| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 520 | |a This fascinating memoir is a unique contribution to the history of film and cinema. At its centre is the story of the making of the British film classic Western Approaches, the first story documentary in Technicolor, totally enacted by amateurs. It was nominated for an Oscar in the category 'Best Film from any Source' and has influenced and inspired film-making to this day. It was acclaimed a masterpiece when it was released in December 1944 and fifty years later Philip French wrote in The Observer: 'It remains a milestone in our cinema and an exciting, vibrant cinematic experience.' | ||
| 505 | 0 | |a Title Page; Contents; Introduction; 1: Faltering steps; 2: Dog's body; 3: Night Mail; 4: Bernard Shaw exposed; 5: Harry Watt challenged by the Savings Bank; 6: 'In loco parentis'; 7: Rungs of the ladder; 8: The G.P.O. becomes the Crown Film Unit; 9: A Passenger of the Ancient and Tattered Airmen; 10: No escape from a dreary chore; 11: Not a remake of Drifters but all at sea; 12: Blank despair; 13: We walk the course; 14: 'Tally Ho.' The hunt is on; 15: 'Testing ... Testing'; 16: Faltering steps, again; 17: A non-starter for a start; 18: 'Dead slow ahead'; 19: S.O.S. to the C. in C. | |
| 505 | 8 | |a 20: The Temeraire to the rescue21: The White Swan from Norway; 22: How to round up the remnants; 23: So, this is Hollywood!; 24: An assignment, at last!; 25: John Sullivan and Pinewood to the rescue | |
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| 630 | 0 | 7 | |a Western approaches |2 gnd |
| 650 | 0 | |a Motion picture producers and directors |z Great Britain |v Biography. | |
| 650 | 6 | |a Producteurs et réalisateurs de cinéma |z Grande-Bretagne |v Biographies. | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Direction & Production. |2 bisacsh | |
| 650 | 7 | |a BIOGRAPHY & AUTOBIOGRAPHY |x Entertainment & Performing Arts. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x General. |2 bisacsh | |
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| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt1gn6d7j |z Texto completo |
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