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The witch's flight : the cinematic, the Black femme, and the image of common sense /
Kara Keeling contends that cinema and cinematic processes had a profound significance for twentieth-century anti-capitalist Black liberation movements based in the United States. Drawing on Gilles Deleuze's notion of "the cinematic"--Not just as a phenomenon confined to moving-image m...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham :
Duke University Press,
2007.
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| Colección: | Perverse modernities.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 049 | |a UAMI | ||
| 100 | 1 | |a Keeling, Kara, |d 1971- |e author. | |
| 245 | 1 | 4 | |a The witch's flight : |b the cinematic, the Black femme, and the image of common sense / |c Kara Keeling. |
| 264 | 1 | |a Durham : |b Duke University Press, |c 2007. | |
| 300 | |a 1 online resource (xii, 209 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a text file |b PDF |2 rda | ||
| 490 | 1 | |a Perverse modernities | |
| 588 | 0 | |a Print version record. | |
| 504 | |a Includes bibliographical references (pages 195-202) and index. | ||
| 505 | 0 | |a Introduction : Another litany for survival -- The image of common sense -- In the interval -- "In order to move forward" : common-sense Black Nationalism and Haile Gerima's Sankofa -- "We'll just have to get guns and be men" : the cinematic appearance of Black revolutionary women -- "A black belt in bar stool" : blaxploitation, surplus, and The L Word -- "What's up with that? She don't talk?" : Set It Off's Black lesbian butch-femme -- Reflections on the Black femme's role in the (re)production of cinematic reality : the case of Eve's Bayou. | |
| 520 | |a Kara Keeling contends that cinema and cinematic processes had a profound significance for twentieth-century anti-capitalist Black liberation movements based in the United States. Drawing on Gilles Deleuze's notion of "the cinematic"--Not just as a phenomenon confined to moving-image media such as film and television but as a set of processes involved in the production and reproduction of social reality itself--Keeling describes how the cinematic structures racism, homophobia, and misogyny, and, in the process, denies viewers access to certain images and ways of knowing. She theorizes the Black femme as a figure who, even when not explicitly represented within hegemonic cinematic formulations of raced and gendered subjectivities, nonetheless haunts those representations, threatening to disrupt them by making alternative social arrangements visible | ||
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 546 | |a In English. | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a Sex role in motion pictures. | |
| 650 | 0 | |a Sex in motion pictures. | |
| 650 | 0 | |a Race in motion pictures. | |
| 650 | 0 | |a Queer theory. | |
| 650 | 0 | |a Butch and femme (Lesbian culture) in motion pictures. | |
| 650 | 6 | |a Rôle selon le sexe au cinéma. | |
| 650 | 6 | |a Sexualité au cinéma. | |
| 650 | 6 | |a Race au cinéma. | |
| 650 | 6 | |a Théorie queer. | |
| 650 | 7 | |a PERFORMING ARTS / Film & Video / History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Butch and femme (Lesbian culture) in motion pictures. |2 fast |0 (OCoLC)fst01902655 | |
| 650 | 7 | |a Queer theory. |2 fast |0 (OCoLC)fst01739572 | |
| 650 | 7 | |a Race in motion pictures. |2 fast |0 (OCoLC)fst01086507 | |
| 650 | 7 | |a Sex in motion pictures. |2 fast |0 (OCoLC)fst01114479 | |
| 650 | 7 | |a Sex role in motion pictures. |2 fast |0 (OCoLC)fst01114654 | |
| 650 | 0 | 7 | |a Lesbierin <Motiv> |2 swd |
| 650 | 0 | 7 | |a Film. |2 swd |
| 650 | 0 | 7 | |a Weibliche Farbige <Motiv> |2 swd |
| 651 | 7 | |a USA. |2 swd | |
| 776 | 0 | 8 | |i Print version: |a Keeling, Kara, 1971- |t Witch's flight. |d Durham : Duke University Press, 2007 |z 9780822340133 |z 9780822340256 |w (DLC) 2007014053 |w (OCoLC)122526800 |
| 830 | 0 | |a Perverse modernities. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv11smrbb |z Texto completo |
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