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Women and German drama : playwrights and their texts, 1860-1945 /

For women, according to the contemporary Austrian dramatist Elfriede Jelinek, writing for the theater is an act of transgression. The idea that drama as a grand public genre resists women writers has become established in recent scholarship. But Jelinek herself has won the Büchner Prize, the most p...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Colvin, Sarah
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Rochester, N.Y. : Camden House, 2003.
Colección:Studies in German literature, linguistics, and culture.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Women and German drama :  |b playwrights and their texts, 1860-1945 /  |c Sarah Colvin. 
260 |a Rochester, N.Y. :  |b Camden House,  |c 2003. 
300 |a 1 online resource (ix, 211 pages) 
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490 1 |a Studies in German literature, linguistics, and culture 
504 |a Includes bibliographical references (pages 185-199) and index. 
505 0 |a Marie von Ebner-Eschenbach and Helene Druskowitz -- Elsa Bernstein-Porges, Mathilde Paar, Gertrud Prellwitz, Anna Croissant-Rust -- Julie Kühne, Laura Marholm, Clara Viebig -- Marie Eugenie delle Grazie, Lu Märten, Berta Lask -- Else Lasker-Schüler -- Marieluise Fleisser. 
588 0 |a Print version record. 
520 |a For women, according to the contemporary Austrian dramatist Elfriede Jelinek, writing for the theater is an act of transgression. The idea that drama as a grand public genre resists women writers has become established in recent scholarship. But Jelinek herself has won the Büchner Prize, the most prestigious award in German letters, and there is a wealth of dramatic work by women from the 20th century and before: both facts seem to contradict the notion of women's exclusion from drama. So why has drama by women appear to have been written against the odds, and why has it, until very recently, been missing from literary histories? This book looks in detail at women's playwriting in German between 1860 and 1945, and at its reception by critics. Many of the works considered have never before been analyzed by modern scholarship; others, notably the plays of Marieluise Fleisser and Else Lasker-Schüler, are well known, but are read here for the first time in the context of earlier dramatic work by women. Sarah Colvin seeks modes of reading that do justice both to the dramatic texts as 'performance' texts, and to the sense of 'otherness' experienced by the woman writer in a male-dominated literary and theatrical environment. She concludes that an understanding of the techniques developed by women playwrights of the nineteenth and early twentieth centuries can enrich our reading not only of Fleisser and Lasker, but of contemporary dramatists such as Jelinek. If all the world's a stage, playwrights can theoretically be seen as in control of the world they create; this book asks to what extent women dramatists manage to use the space of the drama to reflect the world that 'they' experience. Sarah Colvin is Reader in German at the University of Edinburgh. 
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650 0 |a German drama  |x Women authors  |x History and criticism. 
650 0 |a Women and literature  |z Germany  |x History  |y 19th century. 
650 0 |a Women and literature  |z Germany  |x History  |y 20th century. 
650 0 |a German drama  |y 19th century  |x History and criticism. 
650 0 |a German drama  |y 20th century  |x History and criticism. 
650 6 |a Femmes et littérature  |z Allemagne  |x Histoire  |y 19e siècle. 
650 6 |a Femmes et littérature  |z Allemagne  |x Histoire  |y 20e siècle. 
650 6 |a Théâtre allemand  |y 19e siècle  |x Histoire et critique. 
650 6 |a Théâtre allemand  |y 20e siècle  |x Histoire et critique. 
650 7 |a DRAMA  |x Continental European.  |2 bisacsh 
650 7 |a PERFORMING ARTS  |x Theater  |x Playwriting.  |2 bisacsh 
650 7 |a German drama.  |2 fast  |0 (OCoLC)fst00941360 
650 7 |a German drama  |x Women authors.  |2 fast  |0 (OCoLC)fst00941373 
650 7 |a Women and literature.  |2 fast  |0 (OCoLC)fst01177093 
651 7 |a Germany.  |2 fast  |0 (OCoLC)fst01210272 
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