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080930s2005 nyua ob 001 0 eng d |
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|a 647829582
|a 923577435
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|a 9781580466530
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|z 1580461603
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|q alk. paper)
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|z 9781580461603
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|a AU@
|b 000056795749
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|a (OCoLC)259398718
|z (OCoLC)647829582
|z (OCoLC)923577435
|z (OCoLC)929149521
|z (OCoLC)1078037755
|z (OCoLC)1143306587
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|a 22573/ctt13xxh2z
|b JSTOR
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|a MT6.B87
|b E9 2005eb
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|a MUS
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|a UAMI
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|a Brown, Matthew,
|d 1957-
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|a Explaining tonality :
|b Schenkerian theory and beyond /
|c Matthew Brown.
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|a Rochester, NY :
|b University of Rochester Press,
|c 2005.
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|a 1 online resource (xix, 293 pages) :
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
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|2 rdamedia
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|a online resource
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|a data file
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|a Eastman studies in music,
|x 1071-9989 ;
|v [v. 27]
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|a Includes bibliographical references (pages 267-280) and index.
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|a Schenker and the quest for accuracy. Fux and strict counterpoint ; 'The Heinrich maneuver' ; 'The complementarity principle' -- Semper idem sed non eodem modo. Conceptual origins ; Prototypes ; Transformations ; Levels ; Fallout -- What price consistency? Sequences reconsidered ; Sequences and counterpoint ; Analytical implications -- Schenker and 'the myth of scales'. Modes and scales in traditional theory ; Schenkerian theory and scales ; Schenkerian theory and modal inflections ; Schenkerian theory and exotic inflections ; Schenkerian theory and the emergence of functional tonality -- "Pleasure is the law". The limits of Schenkerian theory ; Debussy, "C'est l'extase langoureuse" ; Debussy, "La mort des amants" ; Schenkerian theory and twentieth-century music -- Renaturalizing Schenkerian theory. naturalizating Schenker theory ; Schenkerian theory as a model of expert functional monotonal composition.
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|a Print version record.
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|a "Matthew Brown's Explaining Tonality: Schenkerian Theory and Beyond considers a number of disparate ways in which functional tonality has been understood. In particular, it focuses on the comprehensive theory developed by Heinrich Schenker in his monumental three-part treatise Neue musikalische Theorien und Phantasien (1906-35)."
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|a "Along the way, the book explores six methodological criteria that help in building, testing, and evaluating a plausible theory of tonality or, indeed, any other musical phenomenon: accuracy, scope, fruitfulness, consistency, simplicity, and coherence. It reveals how understanding the tonality of a piece can shed light on other aspects of musical composition. And, in conclusion, it describes some ways in which Schenkerian theory might fruitfully develop in the future."--Jacket
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR All Purchased
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|a Schenkerian analysis.
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|a Tonality.
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|a Analyse schenkérienne.
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|a Tonalité.
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|a MUSIC
|x Religious
|x Gospel.
|2 bisacsh
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|a MUSIC
|x Individual Composer & Musician.
|2 bisacsh
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|a Schenkerian analysis
|2 fast
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|a Tonality
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|i Print version:
|a Brown, Matthew, 1957-
|t Explaining tonality.
|d Rochester, NY : University of Rochester Press, 2005
|z 1580461603
|z 9781580461603
|w (DLC) 2005007617
|w (OCoLC)58546235
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830 |
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|a Eastman studies in music ;
|v v. 27.
|x 1071-9989
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856 |
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|u https://jstor.uam.elogim.com/stable/10.7722/j.ctt14brrk6
|z Texto completo
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|a Askews and Holts Library Services
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