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The music of Luigi Dallapiccola /

"Luigi Dallapiccola (1904-1975) was one of the most important Italian composers of the twentieth century. His music is admired by performers and listeners as much for its lyrical expressivity and emotional power as for its clarity of form and construction. As well as writing several operas (inc...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Fearn, Raymond, 1944-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Rochester, NY : University of Rochester Press, 2003.
Colección:Eastman studies in music.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Fearn, Raymond,  |d 1944- 
245 1 4 |a The music of Luigi Dallapiccola /  |c Raymond Fearn. 
260 |a Rochester, NY :  |b University of Rochester Press,  |c 2003. 
300 |a 1 online resource (xviii, 303 pages) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
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490 1 |a Eastman studies in music,  |x 1071-9989 
500 |a List of compositions: p. [273]-277. 
504 |a Includes bibliographical references (pages 291-296) and index. 
505 0 |a The beginnings : 1904-1938 -- Self-exile and discovery : 1939-1945 -- Towards the light of freedom : 1945-1948 -- The serial idea : 1948-1953 -- Text and symbol : 1954-1964 -- Ulysses, wanderer and discoverer : 1965-1975. 
588 0 |a Print version record. 
520 1 |a "Luigi Dallapiccola (1904-1975) was one of the most important Italian composers of the twentieth century. His music is admired by performers and listeners as much for its lyrical expressivity and emotional power as for its clarity of form and construction. As well as writing several operas (including the one-act The Prisoner and the later full-length Ulysses), Dallapiccola composed a large number of works in which the human voice, whether solo or in chorus, plays an important role 
520 8 |a "Most prominent of these is the three-movement Canti di prigionia (Songs of imprisonment), in which the composer created a powerful piece of "protest music" against the oppressions of fascism by setting prayers by three prisoners awaiting execution: Mary Stuart, Boethius, and Savonarola. Dallapiccola also set texts by writers as diverse as James Joyce, Salvatore Quasimodo, Antonio Machado, Goethe, and Heine." 
520 8 |a "The Music of Luigi Dallapiccola is the first book in English which deals with the work of Dallapiccola as a whole, offering a survey of his development as a composer from the first, hesitant vocal compositions of his student years up to the works of his last decade, in which Italian lyricism is combined with great formal and constructional rigor. Dallapiccola was the first Italian to adopt the twelve-tone techniques of Schoenberg, but he placed them within a "Mediterranean" ambience of sensuousness and sharply contoured formal outlines 
520 8 |a Raymond Fearn suggests that Dallapiccola should be understood not only as an influential figure in the postwar development of Italian music, but also as one who renewed and revitalized the older traditions of Italian music."--Jacket 
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600 1 0 |a Dallapiccola, Luigi,  |d 1904-1975. 
600 1 0 |a Dallapiccola, Luigi,  |d 1904-1975  |x Criticism and interpretation. 
600 1 6 |a Dallapiccola, Luigi,  |d 1904-1975. 
600 1 6 |a Dallapiccola, Luigi,  |d 1904-1975  |x Critique et interprétation. 
600 1 7 |a Dallapiccola, Luigi,  |d 1904-1975  |2 fast 
600 1 7 |a Dallapiccola, Luigi.  |2 swd 
650 0 |a Composers  |z Italy  |v Biography. 
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655 7 |a Criticism, interpretation, etc.  |2 fast 
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776 0 8 |i Print version:  |a Fearn, Raymond, 1944-  |t Music of Luigi Dallapiccola.  |d Rochester, NY : University of Rochester Press, 2003  |z 158046078X  |z 9781580460781  |w (DLC) 2003007367  |w (OCoLC)51966146 
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