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Documentary time : film and phenomenology /
Finding the theoretical space where cinema and philosophy meet, Malin Wahlberg's sophisticated approach to the experience of documentary film aligns with attempts to reconsider the premises of existential phenomenology. Wahlberg discusses a corpus of clas.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Minneapolis :
University of Minnesota Press,
©2008.
|
| Colección: | Visible evidence ;
v. 21. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Wahlberg, Malin. | |
| 245 | 1 | 0 | |a Documentary time : |b film and phenomenology / |c Malin Wahlberg. |
| 260 | |a Minneapolis : |b University of Minnesota Press, |c ©2008. | ||
| 300 | |a 1 online resource (xvii, 170 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file | ||
| 490 | 1 | |a Visible evidence ; |v v. 21 | |
| 504 | |a Includes bibliographical references (pages 151-164) and index. | ||
| 505 | 0 | |a Acknowledgments; Introduction; Part I: Framing Change, Invoking the Moment; 1 The Phenomenology of Image and Time; 2 The Time-Image and the Trace; 3 Frame-Breaking Events and Motifs beyond Representation; Part II: Experimental Figures of Time; 4 The Interval and Pulse Beat of Rhythm; 5 Screen Events of Velocity and Duration; 6 Telling Signs of Loss: Beginnings of Possible Stories; 7 The Trace in Contemporary Media; Documentary Time: An Afterword; Notes; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Z. | |
| 520 | |a Finding the theoretical space where cinema and philosophy meet, Malin Wahlberg's sophisticated approach to the experience of documentary film aligns with attempts to reconsider the premises of existential phenomenology. Wahlberg discusses a corpus of clas. | ||
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
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| 588 | 0 | |a Print version record. | |
| 546 | |a English. | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Documentary films |x History and criticism. | |
| 650 | 0 | |a Time in motion pictures. | |
| 650 | 6 | |a Temps au cinéma. | |
| 650 | 7 | |a LANGUAGE ARTS & DISCIPLINES |x Journalism. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Documentary films. |2 fast |0 (OCoLC)fst00896079 | |
| 650 | 7 | |a Time in motion pictures. |2 fast |0 (OCoLC)fst01151109 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
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| 830 | 0 | |a Visible evidence ; |v v. 21. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.5749/j.ctttsjb1 |z Texto completo |
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