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080908s2008 ncua ob 001 0 eng d |
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|q (electronic bk.)
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|a (OCoLC)246726767
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|z (OCoLC)892054360
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|a 22573/ctv123x8pw
|b JSTOR
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|a ML236.8.C92
|b B34 2008
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|a MUS
|x 036000
|2 bisacsh
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|a HIS
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|a UAMI
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|a Baker, Geoffrey,
|d 1970-
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|a Imposing harmony :
|b music and society in colonial Cuzco /
|c Geoffrey Baker.
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|a Durham :
|b Duke University Press,
|c 2008.
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|a 1 online resource (x, 308 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Includes bibliographical references (pages 285-298) and index.
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|a The urban soundscape -- The Cathedral and the Seminary of San Antonio Abad -- Convents and monasteries -- The urban parishes -- The rural doctrinas de Indios.
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|a Print version record.
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Imposing Harmonyis a groundbreaking analysis of the role of music and musicians in the social and political life of colonial Cuzco. Challenging musicology's cathedral-centered approach to the history of music in colonial Latin America, Geoffrey Baker demonstrates that rather than being dominated by the Cathedral, Cuzco's musical culture was remarkably decentralized. He shows that institutions such as parish churches and monasteries employed indigenous professional musicians, rivaling Cuzco Cathedral in the scale and frequency of the musical performances they staged. Building on recent scholarship by social historians and urban musicologists and drawing on extensive archival research, Baker highlights European music as a significant vehicle for reproducing and contesting power relations in Cuzco. He examines how Andean communities embraced European music, creating an extraordinary cultural florescence, at the same time that Spanish missionaries used the music as a mechanism of colonialization and control. Uncovering a musical life of considerable and unexpected richness throughout the diocese of Cuzco, Baker describes a musical culture sustained by both Hispanic institutional patrons and the upper strata of indigenous society. Mastery of European music enabled elite Andeans to consolidate their position within the colonial social hierarchy. Indigenous professional musicians distinguished themselves by fulfilling important functions in colonial society, acting as educators, religious leaders, and mediators between the Catholic Church and indigenous communities.
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2011.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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583 |
1 |
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|a digitized
|c 2011
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
|5 MiAaHDL
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590 |
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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|a Music
|z Peru
|z Cuzco
|x History and criticism.
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650 |
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|a Music
|x Social aspects
|z Peru
|z Cuzco.
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651 |
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|a Cuzco (Peru)
|x Social life and customs.
|
650 |
|
6 |
|a Musique
|z Pérou
|z Cuzco
|x Histoire et critique.
|
650 |
|
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|a Musique
|x Aspect social
|z Pérou
|z Cuzco.
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650 |
|
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|a MUSIC
|x Genres & Styles
|x Latin.
|2 bisacsh
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|
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|a HISTORY
|z Latin America
|z South America.
|2 bisacsh
|
650 |
|
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|a Manners and customs.
|2 fast
|0 (OCoLC)fst01007815
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|
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|a Music
|2 fast
|0 (OCoLC)fst01030269
|
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|
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|a Music
|x Social aspects.
|2 fast
|0 (OCoLC)fst01030444
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651 |
|
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|a Peru
|z Cuzco.
|2 fast
|0 (OCoLC)fst01211171
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|a Musikleben
|2 gnd
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|a Musik
|2 gnd
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|a Gesellschaft
|2 gnd
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|a Cuzco
|2 gnd
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|a Peru
|2 gnd
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|a Geschichte 1500-1900.
|2 swd
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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|i Print version:
|z 9780822341369
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830 |
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|a E-Duke books scholarly collection.
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856 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv123x613
|z Texto completo
|
938 |
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|a EBSCOhost
|b EBSC
|n 599833
|
938 |
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|a YBP Library Services
|b YANK
|n 2956994
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|a 92
|b IZTAP
|