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Federico Fellini : contemporary perspectives /
Federico Fellini remains the best known of the postwar Italian directors. This collection of essays brings Fellini criticism up to date, employing a range of recent critical filters, including semiotic, psychoanalytical, feminist and deconstructionist. Accordingly, a number of important themes arise...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Toronto :
University of Toronto Press,
[2002]
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| Colección: | Toronto Italian studies.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Federico Fellini : |b contemporary perspectives / |c edited by Frank Burke and Marguerite R. Waller. |
| 264 | 1 | |a Toronto : |b University of Toronto Press, |c [2002] | |
| 300 | |a 1 online resource (xvi, 239 pages, 16 unnumbered pages of plates) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 490 | 1 | |a Toronto Italian studies | |
| 504 | |a Includes bibliographical references (pages 233-234) and filmography (p. 235-236). | ||
| 505 | 0 | |a Federico Fellini: realism/representation/signification / Frank Burke -- Subtle wasted traces: Fellini and the circus / Helen Stoddart -- Fellini and Lacan: the hollow phallus, the male womb, and the retying of the umbilical / William van Watson -- When in Rome do as the Romans do? Federico Fellini's problematization of femininity (The white sheik) / Virginia Picchietti -- Whose Dolce vita is this, anyway? The language of Fellini's cinema / Marguerite R. Waller -- 'Toby dammit, ' intertext, and the end of humanism / Christopher Sharrett -- Fellini's Amarcord: variations on the libidinal limbo of adolescence / Dorothée Bonnigal -- Memory, dialect, politics: linguistic strategies in Fellini's Amarcord / Cosetta Gaudenzi -- Fellini's Ginger and Fred: postmodern simulation meets Hollywood romance / Millicent Marcus -- Cinecittà and America: Fellini interviews Kafka (Intervista) / Carlo Testa -- Interview with the vamp: deconstructing femininity in Fellini's final films (Intervista, La voce della luna) / Áine O'Healy. | |
| 520 | |a Federico Fellini remains the best known of the postwar Italian directors. This collection of essays brings Fellini criticism up to date, employing a range of recent critical filters, including semiotic, psychoanalytical, feminist and deconstructionist. Accordingly, a number of important themes arise - the reception of fascism, the crisis of the subject, the question of agency, homo-eroticism, feminism, and constructions of gender. Since the early 1970s, a slide in critical and theoretical attention to Fellini's work has corresponded with an assumption that his films are self-indulgent and lacking in political value. This volume moves the discussion towards a politics of signification, contending that Fellini's evolving self-reflexivity is not mere solipsism but rather a critique of both aesthetics and signification. The essays presented here are almost all new - the two exceptions being important signifiers in Fellini studies. The first, Frank Burke's "Federico Fellini: Reality/Representation/Signification" laid the foundation in the late 1980s for considering Fellini's work in the light of postmodernism. The second, Marguerite Waller's "Whose Dolce Vita is this Anyway?: The Language of Fellini's Cinema" (1990), provides a contemporary re-reading of Fellini's most successful film. This lively and ambitious collection brings a new critical language to bear on Fellini's films, offering fresh insights into their underlying issues and meaning. In bringing Fellini criticism up to date, it will have a significant impact on film studies, reclaiming this important director for a contemporary audience | ||
| 588 | 0 | |a Online resource; title from digital title page (viewed on June 27, 2022). | |
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| 600 | 1 | 0 | |a Fellini, Federico |x Criticism and interpretation. |
| 600 | 1 | 6 | |a Fellini, Federico |x Critique et interprétation. |
| 600 | 1 | 7 | |a Fellini, Federico. |2 fast |0 (OCoLC)fst00035814 |
| 600 | 1 | 7 | |a Fellini, Federico. |2 swd |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Direction & Production. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 1 | 7 | |a Filmkunst. |2 gtt |
| 650 | 1 | 7 | |a Films. |2 gtt |
| 655 | 0 | |a Electronic books. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 700 | 1 | |a Burke, Frank, |e editor. | |
| 700 | 1 | |a Waller, Marguerite R., |d 1948- |e editor. | |
| 776 | 0 | 8 | |i Print version: |t Federico Fellini. |d Toronto ; Buffalo : University of Toronto Press, ©2002 |z 9780802006967 |w (DLC) 2002728423 |w (OCoLC)48416474 |
| 830 | 0 | |a Toronto Italian studies. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.3138/9781442674837 |z Texto completo |
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