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Hopkins's poetics of speech sound : sprung rhythm, lettering, inscape /

Although virtually unknown in his lifetime, Gerard Manley Hopkins (1844?1889) is counted today among the great nineteenth-century poets. His poetry was collected and published posthumously by his friend Robert Bridges in 1917, and subsequently Hopkins?s reputation flowered, though more as a modern w...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Wimsatt, James I.
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Toronto, Ont. ; Buffalo, NY : University of Toronto Press, ©2006.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Hopkins's poetics of speech sound :  |b sprung rhythm, lettering, inscape /  |c James I. Wimsatt. 
260 |a Toronto, Ont. ;  |a Buffalo, NY :  |b University of Toronto Press,  |c ©2006. 
300 |a 1 online resource (viii, 162 pages) 
336 |a text  |b txt  |2 rdacontent 
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504 |a Includes bibliographical references (pages 151-156) and index. 
505 0 |a Introduction: Hopkins's manifesto -- 'poetry and verse' -- Sprung rhythm: the music of speech -- Sprung rhythm: the music of verse -- Lettering: rhyme 'widely' understood -- 'Inscape' and poetic meaning -- Poetry as the language of the body -- Conclusion: 'The music of his mind' -- Hopkins's poetry and his poetics. 
588 0 |a Print version record. 
506 |3 Use copy  |f Restrictions unspecified  |2 star  |5 MiAaHDL 
533 |a Electronic reproduction.  |b [Place of publication not identified] :  |c HathiTrust Digital Library,  |d 2010.  |5 MiAaHDL 
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546 |a English. 
520 |a Although virtually unknown in his lifetime, Gerard Manley Hopkins (1844?1889) is counted today among the great nineteenth-century poets. His poetry was collected and published posthumously by his friend Robert Bridges in 1917, and subsequently Hopkins?s reputation flowered, though more as a modern writer than as Victorian, and very little as a poetic theorist. Yet the body of Hopkins?s critical writing reveals sharp insight into the subject of poetics, and presents an innovative theory that locates primary poetic meaning in?figures of speech sound.? These?figures of speech sound? provide the focus for James I. Wimsatt?s erudite and original study. Drawing from Hopkins?s diaries, letters, student essays, and correspondence with poet-friends, Wimsatt illuminates Hopkins?s theory that the sound of poetic language carries an emotional, not merely logical and grammatical, meaning. Wimsatt concentrates his study on Hopkins?s writings about?sprung rhythm,??lettering,? and?inscape,?? his coinages? and makes abundant reference to Hopkins?s verse, showing how it exemplifies his language theory. A well-researched and highly detailed book, Hopkins?s Poetics of Speech Sound asserts major significance for a relatively neglected aspect of this important poet?s writings. 
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600 1 0 |a Hopkins, Gerard Manley,  |d 1844-1889  |x Versification. 
600 1 6 |a Hopkins, Gerard Manley,  |d 1844-1889  |x Versification. 
600 1 7 |a Hopkins, Gerard Manley,  |d 1844-1889  |2 fast 
650 0 |a Poetics. 
650 0 |a Literature  |x Philosophy. 
650 6 |a Poétique. 
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650 7 |a LITERARY CRITICISM  |x Poetry.  |2 bisacsh 
650 7 |a Literature  |x Philosophy  |2 fast 
650 7 |a Poetics  |2 fast 
650 7 |a Versification  |2 fast 
776 0 8 |i Print version:  |a Wimsatt, James I.  |t Hopkins's poetics of speech sound.  |d Toronto, Ont. ; Buffalo, NY : University of Toronto Press, ©2006  |w (DLC) 2007271453 
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