|
|
|
|
LEADER |
00000cam a2200000 a 4500 |
001 |
JSTOR_ocn244767455 |
003 |
OCoLC |
005 |
20231005004200.0 |
006 |
m o d |
007 |
cr cn||||||||| |
008 |
960530s1996 onc ob 001 0 eng d |
040 |
|
|
|a CaOTU
|b eng
|e pn
|c COCUF
|d OCLCQ
|d MT4IT
|d IDEBK
|d E7B
|d OCLCQ
|d CELBN
|d FXR
|d N$T
|d OCLCQ
|d OCLCO
|d JSTOR
|d OCLCF
|d OCLCO
|d YDXCP
|d OCLCQ
|d OCLCO
|d EBLCP
|d OCLCO
|d OCLCQ
|d OCLCO
|d DEBBG
|d OCL
|d OCLCO
|d OCLCQ
|d AGLDB
|d CSAIL
|d VT2
|d OTZ
|d FVL
|d OCLCQ
|d IOG
|d OCLCO
|d JG0
|d MERUC
|d VTS
|d CEF
|d OCLCA
|d ZCU
|d AU@
|d OCLCQ
|d ICG
|d YOU
|d DKC
|d OCLCQ
|d CNTRU
|d UKAHL
|d OCLCA
|d OCLCQ
|d INARC
|d MM9
|d OCLCQ
|d OCLCO
|d OCLCQ
|d SFB
|d OCLCO
|
019 |
|
|
|a 499058256
|a 647734997
|a 666907910
|a 752409077
|a 806059163
|a 923069324
|a 958564937
|a 1055595858
|a 1058171902
|
020 |
|
|
|a 9781442670600
|q (electronic bk.)
|
020 |
|
|
|a 1442670606
|q (electronic bk.)
|
020 |
|
|
|z 0802009824
|
020 |
|
|
|z 9780802009821
|
029 |
1 |
|
|a AU@
|b 000051447356
|
029 |
1 |
|
|a AU@
|b 000068438072
|
029 |
1 |
|
|a DEBBG
|b BV043167313
|
029 |
1 |
|
|a DEBBG
|b BV043492322
|
029 |
1 |
|
|a DEBSZ
|b 421393688
|
029 |
1 |
|
|a DEBSZ
|b 477989187
|
029 |
1 |
|
|a DKDLA
|b 820120-katalog:999935677605765
|
029 |
1 |
|
|a GBVCP
|b 86038781X
|
035 |
|
|
|a (OCoLC)244767455
|z (OCoLC)499058256
|z (OCoLC)647734997
|z (OCoLC)666907910
|z (OCoLC)752409077
|z (OCoLC)806059163
|z (OCoLC)923069324
|z (OCoLC)958564937
|z (OCoLC)1055595858
|z (OCoLC)1058171902
|
037 |
|
|
|a 22573/ctt58wdt
|b JSTOR
|
050 |
|
4 |
|a PT772
|b .O3 1996eb
|
055 |
0 |
1 |
|a PT772
|
072 |
|
7 |
|a LIT
|x 004170
|2 bisacsh
|
072 |
|
7 |
|a LIT004170
|2 bisacsh
|
082 |
0 |
4 |
|a 833/.910923
|
084 |
|
|
|a 18.09
|2 bcl
|
049 |
|
|
|a UAMI
|
100 |
1 |
|
|a O'Neill, Patrick,
|d 1945-
|
245 |
1 |
0 |
|a Acts of narrative :
|b textual strategies in modern German fiction /
|c Patrick O'Neill.
|
260 |
|
|
|a Toronto [Ont.] :
|b University of Toronto Press,
|c ©1996.
|
300 |
|
|
|a 1 online resource (x, 205 pages)
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
490 |
1 |
|
|a Theory/culture
|
504 |
|
|
|a Includes bibliographical references and index.
|
505 |
0 |
0 |
|t Death in Venice : narrative situations in Thomas Mann's Der Tod in Venedig --
|t Trial : paradigms of indeterminacy in Franz Kafka's Der Prozess --
|t Harry Haller's records : the ludic imagination in Hermann Hesse's Steppenwolf --
|t Auto da fé : reading misreading in Elias Canetti's Die Blendung --
|t Tin Drum : implications of unrealibility in Günter Grass's Die Blechtrommel --
|t Two views : the authority of discourse in Uwe Johnson's Zwei Ansichten --
|r Goalie's anxiety : signs and semiosis in Peter Handke's Die Angst des Tormanns beim Elfmeter --
|t Lime works : narrative and noise in Thomas Bernhard's Das Kalkwerk.
|
520 |
|
|
|a Because German literary criticism tends to be strongly historicist in character, modern and postmodern German narrative has remained relatively unexplored by poststructuralist critics. In the eight individual analyses of twentieth-century German texts that make up this book, Patrick O'Neill deviates from the theoretical mainstream. O'Neill applies the principles of structuralist and poststructuralist narratology to a selection of narratives from both modernist and postmodernist German authors: Mann, Kafka, and Hesse, and Canetti, Johnson, Handke, and Bernhard.
|
520 |
8 |
|
|a O'Neill's approach rests on three assumptions: first, that all stories are stories told in particular ways; second, that these particular ways of telling stories are interesting objects of study in and for themselves; and third, that modern German fiction includes a number of narratives that allow us to indulge that interest in ways that are themselves compelling. The relationship of story and discourse is central to Acts of Narrative; in particular, each of the texts under analysis continually foregrounds the active role of the reader, which O'Neill sees as an inescapable feature of modern and postmodern narrative as a semiotic structure. The volume might be described as an exercise in semiotic narratology, exploring a variety of aspects of the semiotics of narrative as a discursive system.
|
588 |
0 |
|
|a Print version record.
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
|
590 |
|
|
|a JSTOR
|b Books at JSTOR All Purchased
|
650 |
|
0 |
|a German fiction
|y 20th century
|x History and criticism.
|
650 |
|
0 |
|a Narration (Rhetoric)
|
650 |
|
6 |
|a Roman allemand
|y 20e siècle
|x Histoire et critique.
|
650 |
|
6 |
|a Narration.
|
650 |
|
7 |
|a LITERARY CRITICISM
|x European
|x German.
|2 bisacsh
|
650 |
|
7 |
|a German fiction
|2 fast
|
650 |
|
7 |
|a Narration (Rhetoric)
|2 fast
|
650 |
|
7 |
|a Literatur
|2 gnd
|
650 |
|
7 |
|a Narrativität
|2 gnd
|
651 |
|
7 |
|a Deutsch.
|2 swd
|
648 |
|
7 |
|a 1900-1999
|2 fast
|
655 |
|
0 |
|a Electronic books.
|
655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|
776 |
0 |
8 |
|i Print version:
|a O'Neill, Patrick, 1945-
|t Acts of narrative.
|d Toronto ; Buffalo : University of Toronto Press, ©1996
|z 9780802009821
|w (DLC) 97102588
|w (OCoLC)35943634
|
830 |
|
0 |
|a Theory/culture series.
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.3138/9781442670600
|z Texto completo
|
936 |
|
|
|a BATCHLOAD
|
938 |
|
|
|a Askews and Holts Library Services
|b ASKH
|n AH35067175
|
938 |
|
|
|a Canadian Electronic Library
|b CELB
|n 10218894
|
938 |
|
|
|a ProQuest Ebook Central
|b EBLB
|n EBL3254989
|
938 |
|
|
|a Internet Archive
|b INAR
|n actsofnarrativet0000onei
|
938 |
|
|
|a EBSCOhost
|b EBSC
|n 467885
|
938 |
|
|
|a YBP Library Services
|b YANK
|n 3004293
|
994 |
|
|
|a 92
|b IZTAP
|