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Acts of narrative : textual strategies in modern German fiction /

Because German literary criticism tends to be strongly historicist in character, modern and postmodern German narrative has remained relatively unexplored by poststructuralist critics. In the eight individual analyses of twentieth-century German texts that make up this book, Patrick O'Neill dev...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: O'Neill, Patrick, 1945-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Toronto [Ont.] : University of Toronto Press, ©1996.
Colección:Theory/culture series.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a O'Neill, Patrick,  |d 1945- 
245 1 0 |a Acts of narrative :  |b textual strategies in modern German fiction /  |c Patrick O'Neill. 
260 |a Toronto [Ont.] :  |b University of Toronto Press,  |c ©1996. 
300 |a 1 online resource (x, 205 pages) 
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490 1 |a Theory/culture 
504 |a Includes bibliographical references and index. 
505 0 0 |t Death in Venice : narrative situations in Thomas Mann's Der Tod in Venedig --  |t Trial : paradigms of indeterminacy in Franz Kafka's Der Prozess --  |t Harry Haller's records : the ludic imagination in Hermann Hesse's Steppenwolf --  |t Auto da fé : reading misreading in Elias Canetti's Die Blendung --  |t Tin Drum : implications of unrealibility in Günter Grass's Die Blechtrommel --  |t Two views : the authority of discourse in Uwe Johnson's Zwei Ansichten --  |r Goalie's anxiety : signs and semiosis in Peter Handke's Die Angst des Tormanns beim Elfmeter --  |t Lime works : narrative and noise in Thomas Bernhard's Das Kalkwerk. 
520 |a Because German literary criticism tends to be strongly historicist in character, modern and postmodern German narrative has remained relatively unexplored by poststructuralist critics. In the eight individual analyses of twentieth-century German texts that make up this book, Patrick O'Neill deviates from the theoretical mainstream. O'Neill applies the principles of structuralist and poststructuralist narratology to a selection of narratives from both modernist and postmodernist German authors: Mann, Kafka, and Hesse, and Canetti, Johnson, Handke, and Bernhard. 
520 8 |a O'Neill's approach rests on three assumptions: first, that all stories are stories told in particular ways; second, that these particular ways of telling stories are interesting objects of study in and for themselves; and third, that modern German fiction includes a number of narratives that allow us to indulge that interest in ways that are themselves compelling. The relationship of story and discourse is central to Acts of Narrative; in particular, each of the texts under analysis continually foregrounds the active role of the reader, which O'Neill sees as an inescapable feature of modern and postmodern narrative as a semiotic structure. The volume might be described as an exercise in semiotic narratology, exploring a variety of aspects of the semiotics of narrative as a discursive system. 
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590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
590 |a JSTOR  |b Books at JSTOR All Purchased 
650 0 |a German fiction  |y 20th century  |x History and criticism. 
650 0 |a Narration (Rhetoric) 
650 6 |a Roman allemand  |y 20e siècle  |x Histoire et critique. 
650 6 |a Narration. 
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650 7 |a Narration (Rhetoric)  |2 fast 
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655 7 |a Criticism, interpretation, etc.  |2 fast 
776 0 8 |i Print version:  |a O'Neill, Patrick, 1945-  |t Acts of narrative.  |d Toronto ; Buffalo : University of Toronto Press, ©1996  |z 9780802009821  |w (DLC) 97102588  |w (OCoLC)35943634 
830 0 |a Theory/culture series. 
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