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The Figino, or, On the purpose of painting : art theory in the late Renaissance /

Of the many treatises written in Italy during the Counter-Reformation, none is more illustrative of the intellectual fermentation of the period than Comanini's work on the purpose of painting, Il Figino overo del fine della Pittura (1591). Although the importance of Il Figino has long been reco...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Comanini, Gregorio, -1608 (Autor)
Otros Autores: Doyle-Anderson, Ann (Traductor), Maiorino, Giancarlo, 1943- (Traductor)
Formato: Electrónico eBook
Idioma:Inglés
Italiano
Publicado: Toronto ; Buffalo ; London : University of Toronto Press, [2001]
Colección:Toronto Italian studies.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Comanini, Gregorio,  |d -1608,  |e author. 
240 1 0 |a Figino, overo, del fine della pittura.  |l English 
245 1 4 |a The Figino, or, On the purpose of painting :  |b art theory in the late Renaissance /  |c Gregorio Comanini ; translated, with introduction and notes, by Ann Doyle-Anderson and Giancarlo Maiorino. 
246 3 0 |a On the purpose of painting 
246 3 0 |a Art theory in the late Renaissance 
264 1 |a Toronto ;  |a Buffalo ;  |a London :  |b University of Toronto Press,  |c [2001] 
264 4 |c ©2001 
300 |a 1 online resource (xxi, 158 pages) 
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490 1 |a Toronto Italian studies 
500 |a Translation of: Il Figino, published 1591. 
504 |a Includes bibliographical references (pages 147-148) and index. 
520 |a Of the many treatises written in Italy during the Counter-Reformation, none is more illustrative of the intellectual fermentation of the period than Comanini's work on the purpose of painting, Il Figino overo del fine della Pittura (1591). Although the importance of Il Figino has long been recognized, the text has remained largely inaccessible to many scholars throughout the world. This first complete English translation will make the work available to those readers for the first time. In Il Figino, Comanini addresses all of the most hotly debated aesthetic issues of the time, drawing on an array of classical, medieval and Renaissance sources, including Plato, Aristotle, Horace, Mazzoni, Tasso and Paleotti. The editor and translator provide copious notes which clarify Comanini's aesthetic and theological references, as well as a lucid introduction that places the issues and debates in context. Comanini's impressive erudition makes his treatise an excellent barometer of the state of scholarship in the Counter-Reformation era. This translation is a long-overdue addition to the field of Renaissance studies. 
588 0 |a Print version record. 
505 0 |a CONTENTS -- ACKNOWLEDGMENTS -- Introduction -- On the Translation -- THE FIGINO -- Dedication -- The Dialogue -- NOTES -- SELECTED BIBLIOGRAPHY -- INDEX -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- X -- Z 
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600 1 7 |a Figino, Giovanni Ambrogio.  |2 swd 
650 0 |a Arts  |x Philosophy  |v Early works to 1800. 
650 0 |a Painting  |x Philosophy  |v Early works to 1800. 
650 0 |a Aesthetics  |v Early works to 1800. 
650 6 |a Arts  |x Philosophie  |v Ouvrages avant 1800. 
650 6 |a Peinture  |x Philosophie  |v Ouvrages avant 1800. 
650 6 |a Esthétique  |v Ouvrages avant 1800. 
650 7 |a ART  |x Performance.  |2 bisacsh 
650 7 |a ART  |x Reference.  |2 bisacsh 
650 7 |a ART  |x European.  |2 bisacsh 
650 7 |a Aesthetics.  |2 fast  |0 (OCoLC)fst00798702 
650 7 |a Arts  |x Philosophy.  |2 fast  |0 (OCoLC)fst00817787 
650 7 |a Painting  |x Philosophy.  |2 fast  |0 (OCoLC)fst01050602 
650 7 |a Malerei  |2 gnd 
650 7 |a Ästhetik  |2 gnd 
650 7 |a Renaissance  |2 gnd 
651 7 |a Italien  |2 gnd 
650 1 7 |a Kunsttheorie.  |2 gtt 
650 1 7 |a Traktaten (verhandelingen)  |2 gtt 
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655 7 |a Early works.  |2 fast  |0 (OCoLC)fst01411636 
700 1 |a Doyle-Anderson, Ann,  |e translator. 
700 1 |a Maiorino, Giancarlo,  |d 1943-  |e translator. 
776 0 8 |i Print version:  |a Comanini, Gregorio, -1608.  |s Figino, overo, del fine della pittura. English.  |t Figino, or, On the purpose of painting.  |d Toronto : University of Toronto Press, ©2001  |z 0802035744  |w (DLC) 2002281914  |w (OCoLC)47365358 
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