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|a Stebbins, Robert A.,
|d 1938-
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|a The barbershop singer :
|b inside the social world of a musical hobby /
|c Robert A. Stebbins.
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|a Toronto, Ont. :
|b University of Toronto Press,
|c 1996.
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|a 1 online resource (xiii, 134 pages)
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|a text
|b txt
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|a online resource
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|a Includes bibliographical references (pages 125-129) and index.
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|a Print version record.
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
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|a Contents -- Preface -- Acknowledgments -- 1 The Social Worlds of American Music -- 2 The Old Songs -- 3 Organized Barbershop -- 4 Becoming a Barbershop Singer -- 5 Why Sing? -- 6 Work in Leisure -- 7 Dissonance in Close Harmony -- 8 Musical Lifestyles -- Appendix: Interview Guide for the Study of Barbershop Singers -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Y -- Z
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|a Barbership singing is often dismissed by its critics as merely an enjoyable hobby. Though long popular with both its public and participants, it has been relatively neglected in the field of music studies. Robert A. Stebbins demonstrates that barbershop singing is an elaborate and complicated form of serious leisure that provides its participants with distinctive lifestyles. The Barbershop Singer is a unique case study of this significant musical genre, describing the social world of the barbershop singer and exploring its appeal for both male and female singers. Robert Stebbins traces the history of barbershop singing and compares and contrasts the worlds of jazz, classical music, and barbershop as serious leisure pursuits. Stebbins also reveals its costs and rewards, its complex organizational structures, the social marginality felt by its more dedicated participants, and the main problems facing the art today. Although barbershop singing is clearly a circumscribed social world, understanding how it works expands current knowledge of the variant forms of social participation available to citizens of the modern world. The Barbershop Singer will be of interest to sociologists as well as those involved in the world of barbershop.
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|b Books at JSTOR All Purchased
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|a Barbershop singing
|x Social aspects.
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|a Music
|x Social aspects.
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|a Barbershop singing
|z Alberta
|z Calgary.
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|a Barbershop singing
|x Aspect social.
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|a Musique
|x Aspect social.
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|a Barbershop singing
|z Alberta
|z Calgary.
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|a POLITICAL SCIENCE
|x Public Policy
|x Cultural Policy.
|2 bisacsh
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|a SOCIAL SCIENCE
|x Anthropology
|x Cultural.
|2 bisacsh
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|a SOCIAL SCIENCE
|x Popular Culture.
|2 bisacsh
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|a SOCIAL SCIENCE
|x Sociology
|x General.
|2 bisacsh
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|a Barbershop singing.
|2 fast
|0 (OCoLC)fst00827452
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|a Music
|x Social aspects.
|2 fast
|0 (OCoLC)fst01030444
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|a Alberta
|z Calgary.
|2 fast
|0 (OCoLC)fst01204830
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|a Barbershop harmony
|2 gnd
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|a A cappella.
|2 gtt
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|a Zangverenigingen.
|2 gtt
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|i Print version:
|a Stebbins, Robert A., 1938-
|t Barbershop singer.
|d Toronto ; Buffalo : University of Toronto Press, ©1996
|z 9780802008442
|w (DLC) 96183132
|w (OCoLC)35236936
|
856 |
4 |
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|u https://jstor.uam.elogim.com/stable/10.3138/9781442680524
|z Texto completo
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|a BATCHLOAD
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|a Canadian Electronic Library
|b CELB
|n 10200883
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938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL3251328
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938 |
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|a Internet Archive
|b INAR
|n barbershopsinger0000steb
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