Cargando…
Contemporary Italian filmmaking : strategies of subversion ; Pirandello, Fellini, Scola, and the directors of the new generation /
Contemporary Italian Filmmaking is an innovative critique of Italian filmmaking in the aftermath of World War II - as it moves beyond traditional categories such as genre film and auteur cinema. Manuela Gieri demonstrates that Luigi Pirandello's revolutionary concept of humour was integral to t...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Toronto, Ont. :
University of Toronto Press,
©1995.
|
| Colección: | Toronto Italian studies.
|
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- CONTENTS
- ACKNOWLEDGMENTS
- Introduction: Why Pirandello and the Cinema?
- 1 He Lost It at the Movies: A Love-Hate Relationship of Over Thirty Years
- 2 Pirandello and the Theory of the Cinema
- 3 The Origins of the Myths: From Pirandello to Fellini
- 4 Character and Discourse from Pirandello to Fellini: Defining a Countertradition in an Italian Context
- 5 Ettore Scola: A Cinematic and Social Metadiscourse
- 6 The New Italian Cinema: Restoration or Subversion?
- NOTES
- BIBLIOGRAPHY
- INDEX
- A
- B
- C
- D
- E
- F
- G
- H
- I
- Jk
- l
- m
- n
- o
- p
- r
- s
- t
- v
- w
- z