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Swinburne and his gods : the roots and growth of an agnostic poetry /

Swinburne and His Gods is the first serious critical analysis to examine the poet's background in the high church in the context of his work. Louis clearly shows Swinburne's fierce and intimate hostility toward the church and reveals his particular irritation with the doctrines of Newman,...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Louis, Margot Kathleen, 1954-2007
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Montreal [Que.] : McGill-Queen's University Press, 1990.
Temas:
Acceso en línea:Texto completo

MARC

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049 |a UAMI 
100 1 |a Louis, Margot Kathleen,  |d 1954-2007. 
245 1 0 |a Swinburne and his gods :  |b the roots and growth of an agnostic poetry /  |c Margot K. Louis. 
260 |a Montreal [Que.] :  |b McGill-Queen's University Press,  |c 1990. 
300 |a 1 online resource (242 pages) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
347 |a data file 
504 |a Includes bibliographical references. 
505 0 |a part 1. Sacred elements. Demonic parody and the great whore ; The sacrament of violence ; The sacrament of harmony -- part 2. The new gods. Songs before sunrise : man and god ; Songs of the springtides : the sun-god and the sea ; Astrophel : the unknown god. 
588 0 |a Print version record. 
520 |a Swinburne and His Gods is the first serious critical analysis to examine the poet's background in the high church in the context of his work. Louis clearly shows Swinburne's fierce and intimate hostility toward the church and reveals his particular irritation with the doctrines of Newman, Keble, and Trench. In her explanation of his poetic use of sacramental imagery, especially those images connected with the Last Supper, Louis shows how Swinburne's eucharists can be murderous or erotic, aesthetic or republican. The demonic parody that characterizes Swinburne's work is shown to have developed through experimentation with neo-romantic alternatives to Christianity: first through the evocation of a quasi-sadistic pessimism, then in the embodiment of the "sun-god of Art," and, finally, as a feeble gesture toward an unknowable deity which moves elusively both within and beyond the natural world. Rather than imposing artificial unity on the poet's career, Louis presents his work as an integrated series of serious and brilliant experiments in Romantic art. 
546 |a English. 
590 |a JSTOR  |b Books at JSTOR All Purchased 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
600 1 0 |a Swinburne, Algernon Charles,  |d 1837-1909  |x Criticism and interpretation. 
600 1 6 |a Swinburne, Algernon Charles,  |d 1837-1909  |x Critique et interprétation. 
600 1 7 |a Swinburne, Algernon Charles,  |d 1837-1909  |2 fast 
600 1 7 |a Swinburne, Algernon Charles,  |d (1837-1909)  |x Critique et interprétation.  |2 ram 
600 1 7 |a Swinburne, Algernon Charles.  |2 swd 
650 0 |a Lord's Supper in literature. 
650 0 |a Romanticism. 
650 6 |a Eucharistie dans la littérature. 
650 6 |a Romantisme. 
650 7 |a romanticism (form of expression)  |2 aat 
650 7 |a POETRY  |x English, Irish, Scottish, Welsh.  |2 bisacsh 
650 7 |a LITERARY CRITICISM  |x Poetry.  |2 bisacsh 
650 7 |a Lord's Supper in literature  |2 fast 
650 7 |a Romanticism  |2 fast 
650 7 |a Religion  |2 gnd 
650 7 |a Agnostizismus  |2 gnd 
650 7 |a Religiosität  |2 gnd 
655 0 |a Electronic books. 
655 7 |a Criticism, interpretation, etc.  |2 fast 
776 0 8 |i Print version:  |a Louis, Margot Kathleen, 1954-2007.  |t Swinburne and his gods.  |d Montreal ; Buffalo : McGill-Queen's University Press, ©1990  |w (DLC) 90208896 
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