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Opera and ideology in Prague /
This study presents a history and analysis of the Prague musical community from 1900 until the end of democracy in 1938. 'Opera and Ideology in Prague' not only narrates the fascinating history of a local musical community but also reveals much about music and culture in Europe. The fin-de...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Rochester, NY :
University of Rochester Press,
2006.
|
| Colección: | Eastman studies in music.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Locke, Brian S., |d 1972- | |
| 245 | 1 | 0 | |a Opera and ideology in Prague / |c Brian S. Locke. |
| 260 | |a Rochester, NY : |b University of Rochester Press, |c 2006. | ||
| 300 | |a 1 online resource (xix, 431 pages) : |b illustrations, music | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 490 | 1 | |a Eastman studies in music | |
| 504 | |a Includes bibliographical references (pages 389-418) and index. | ||
| 505 | 0 | |a Introduction : nationalism, modernism, and the social responsibility of art in Prague -- Smetana, Hostinský, and the aesthetic debates of the nineteenth century -- Legacies, ideologies, and responsibilities : the polemics of the pre-independence years (1900-1918) -- "Archetypes who live, rejoice, and suffer" : Czech opera in the fin de siècle -- The pathology of the new society : debates in the early years of the First Republic (1918-24) -- Infinite melody, ruthless polyphony : Czech modernism in the early Republic -- "A crisis of modern music or audience?" : changing attitudes to cultural and stylistic pluralism (1925-30) -- "I have rent my soul in two" : divergent directions for Czech opera in the late 1920s -- Heaven on earth : socialism, jazz, and a new aesthetic focus (1930-38) -- "A sad optimism, the happiness of the resigned" : extremes of operatic expression in the 1930s -- The ideological debates of Prague within a European context. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a This study presents a history and analysis of the Prague musical community from 1900 until the end of democracy in 1938. 'Opera and Ideology in Prague' not only narrates the fascinating history of a local musical community but also reveals much about music and culture in Europe. The fin-de-siècle period was dominated by the musicologist Zdenek Nejedly's polemics regarding the competing 'legacies' of Smetana and Dvorák and the merits of modernism. After Czech independence in 1918, a new generation of musicians accepted modernist foreign influences only with extreme hesitation. The 1926 Prague premiere of Berg's opera 'Wozzeck' and the ascendancy of a young group of avant-garde composers changed the cultural climate entirely, providing new ground for the exploration of jazz, neo-classicism, quarter tones, and socialist music. As the Czechoslovak Republic drew to a close, a resurgence of nationalism appeared in the musical expressions of both Czechs and German-Bohemians. The analyses of operas and tone poems by Novák, Ostrcil, Zich, Jeremiás, Hába, Kricka, and Suk provide a cross-section of musical life in early twentieth-century Prague, as well as a series of interpretations of Czech cultural identity. Populist endeavors such as jazz and neo-classicism represented some of the ways in which composers of the 1930s attempted to regain an audience alienated by modernism: in this respect, the trends in Prague mirrored those of the rest of Europe. Brian Locke is assistant professor of music history at Western Illinois University, Macomb. He has written extensively on twentieth-century music, including Czech operatic and symphonic works and Alban Berg's 'Wozzeck'. | ||
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| 650 | 0 | |a Opera |z Czech Republic |z Prague |y 20th century. | |
| 650 | 0 | |a Music |x Political aspects |z Czech Republic |x History |y 20th century. | |
| 650 | 0 | |a Music |x Political aspects |z Czech Republic |y 20th century. | |
| 650 | 6 | |a Opéra |z République tchèque |z Prague |y 20e siècle. | |
| 650 | 6 | |a Musique |x Aspect politique |z République tchèque |y 20e siècle. | |
| 650 | 6 | |a Musique |x Aspect politique |z République tchèque |x Histoire |y 20e siècle. | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Opera. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x General. |2 bisacsh | |
| 650 | 7 | |a Music |x Political aspects. |2 fast |0 (OCoLC)fst01030414 | |
| 650 | 7 | |a Opera. |2 fast |0 (OCoLC)fst01046145 | |
| 651 | 7 | |a Czech Republic. |2 fast |0 (OCoLC)fst01256743 | |
| 651 | 7 | |a Czech Republic |z Prague. |2 fast |0 (OCoLC)fst01205207 | |
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| 776 | 0 | 8 | |i Print version: |a Locke, Brian S., 1972- |t Opera and ideology in Prague. |d Rochester, NY : University of Rochester Press, 2006 |z 1580462286 |z 9781580462280 |w (DLC) 2006020813 |w (OCoLC)70176892 |
| 830 | 0 | |a Eastman studies in music. | |
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