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The ecstatic quotidian : phenomenological sightings in modern art and literature /

Fascination with quotidian experience in modern art, literature, and philosophy promotes ecstatic forms of reflection on the very structure of the everyday world. Gosetti-Ferencei examines the ways in which modern art and literature enable a study of how we experience quotidian life. She shows that...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Gosetti-Ferencei, Jennifer Anna
Formato: Electrónico eBook
Idioma:Inglés
Publicado: University Park, Pa. : Pennsylvania State University Press, ©2007.
Colección:Literature and philosophy.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 4 |a The ecstatic quotidian :  |b phenomenological sightings in modern art and literature /  |c Jennifer Anna Gosetti-Ferencei. 
260 |a University Park, Pa. :  |b Pennsylvania State University Press,  |c ©2007. 
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504 |a Includes bibliographical references (pages 249-258) and index. 
505 0 |a The quotidian and literary-phenomenological departures from everydayness -- Sources of ecstasies in childhood experience -- Literary phenomenology from the natural attitude to recognition -- The mysterious and poetry of the world's inner horizons -- The painterly and the poetic image between Rilke and Cezanne -- The silent ecstasis of vision -- Ecstatic mimesis in Trompe l'Œil. 
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520 |a Fascination with quotidian experience in modern art, literature, and philosophy promotes ecstatic forms of reflection on the very structure of the everyday world. Gosetti-Ferencei examines the ways in which modern art and literature enable a study of how we experience quotidian life. She shows that modernism, while exhibiting many strands of development, can be understood by investigating how its attentions to perception and expectation, to the common quality of things, or to childhood play gives way to experiences of ecstasis-the stepping outside of the ordinary familiarity of the world. While phenomenology grounds this study (through Husserl, Heidegger, Merleau-Ponty, and Bachelard), what makes this book more than a treatise on phenomenological aesthetics is the way in which modernity itself is examined in its relation to the quotidian. Through the works of artists and writers such as Benjamin, Cžanne, Frost, Klee, Newman, Pollock, Ponge, Proust, Rilke, Robbe-Grillet, Rothko, Sartre, and Twombly, the world of quotidian life can be seen to harbor a latent ecstasis. The breakdown of the quotidian through and after modernism then becomes an urgent question for understanding art and literature in its capacity to further human experience, and it points to the limits of phenomenological explications of the everyday. 
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