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The why of music : dialogues in an unexplored region of appreciation /
In his many tears of teaching and writing about music Professor Ferguson has given much thought to the question of the why of music -- why does music affect us as it does, why are we deeply moved by some music by not by other music, what is it about music.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Minneapolis :
University of Minnesota Press,
1969.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Ferguson, Donald N. |q (Donald Nivison), |d 1882-1985. | |
| 245 | 1 | 4 | |a The why of music : |b dialogues in an unexplored region of appreciation / |c Donald N. Ferguson. |
| 260 | |a Minneapolis : |b University of Minnesota Press, |c 1969. | ||
| 300 | |a 1 online resource (309 pages) : |b music | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file | ||
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a TABLE OF CONTENTS; A GLEAM IN THE EYE; "SOMETHING MORE"; THE MUSICAL IMAGE; HOW THE MUSICAL IMAGE IS PORTRAYED; HOW FORM CONTRIBUTES TO THE IMAGE; SOME HOWS AND WHYS OF MUSICAL COMPOSITION; SOME HOWS AND WHYS OF MUSICAL PERFORMANCE; STYLE AND TASTE; IMAGE AND STYLE IN BACH; CLASSICISM IN HAYDN AND MOZART; ROMANTICISM IN BEETHOVEN; BEETHOVEN: THE SECOND PERIOD; BEETHOVEN: THE THIRD PERIOD; VERBAL AND MUSICAL IMAGES IN THE SONG; THE MUSICAL IMAGE IN THE LEADING-MOTIVE; TWO NEW QUESTIONERS; A COMMON MUSICAL IDIOM; WHAT MAKES GOOD MUSIC GREAT?; EPILOGUE, OR PREFACE?; INDEX. | |
| 520 | |a In his many tears of teaching and writing about music Professor Ferguson has given much thought to the question of the why of music -- why does music affect us as it does, why are we deeply moved by some music by not by other music, what is it about music. | ||
| 546 | |a English. | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Music appreciation. | |
| 650 | 0 | |a Music |x Philosophy and aesthetics. | |
| 650 | 6 | |a Musique |x Appréciation. | |
| 650 | 6 | |a Musique |x Philosophie et esthétique. | |
| 650 | 7 | |a MUSIC |x Reference. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Classical. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Appreciation. |2 bisacsh | |
| 650 | 7 | |a Music appreciation. |2 fast |0 (OCoLC)fst01030494 | |
| 650 | 7 | |a Music |x Philosophy and aesthetics. |2 fast |0 (OCoLC)fst01030408 | |
| 776 | 0 | 8 | |i Print version: |a Ferguson, Donald Nivison, 1882- |t Why of music. |d Minneapolis : University of Minnesota Press, 1969 |w (DLC) 69015088 |w (OCoLC)36224 |
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