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|z (OCoLC)300594570
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|z (OCoLC)1077292918
|z (OCoLC)1088374282
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|b JSTOR
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|a PS3569.E316
|b F37 1994
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|a Sedgwick, Eve Kosofsky.
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|a Fat art, thin art /
|c Eve Kosofsky Sedgwick.
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|a Durham :
|b Duke University Press,
|c 1994.
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|a 1 online resource (160 pages)
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|a text
|b txt
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|a online resource
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|a Duke backfile
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|a "Who fed this muse?" -- Joy. He's himself today! He knows me! -- "Grave, never offering back the face of my dear" -- "Guys who were 35 last year are 70 this year" -- The Navajo Rug -- A Vigil -- The Use of Being Fat -- "For years it drove me crazy" -- Performative (Toronto) -- Performative (San Francisco) -- "What I would be when I grew up" -- "Not like the clownish, friendly way you talk" -- Sh -- "I can tune my mind today" -- "All I know is I woke up thinking" -- Snapsh -- "Crushed. Dilapidated." -- The 58 1/2 Minute Hour -- How Not to Be There -- "Mobility, speech, sight" -- "A scar, just a scar" -- "When I got so sick it never occurred to me" -- "Little kid at the airport practicing" -- "In dreams they're interchangeable" -- Our -- "It seems there are two kinds of marriage" -- "One of us falls asleep on the other's shoulder" -- Not -- Nicht mehr Leben -- "I'm safe so long as the single feather of one wing" -- "In dreams on which decades of marriage haven't" -- Trace at 46 -- An Essay on the Picture Plane -- Everything Always Distracts -- Sexual Hum -- Penn Central: New Haven Line -- Poet -- Sestina Lente -- The Warm Decembers -- Note on "The Warm Decembers."
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|a Print version record.
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
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|a Eve Kosofsky Sedgwick is best known as a cultural and literary critic, as one of the primary forces behind the development of queer and gay/lesbian studies, and as author of several influential books: Tendencies, Epistemology of the Closet, and Between Men: English Literature and Male Homosocial Desire. The publication of Fat Art, Thin Art, Sedgwick's first volume of poetry, opens up another dimension of her continuing project of crossing and re-crossing the electrified boundaries between theory, lyric, and narrative. Embodying a decades-long adventure, the.
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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|a English poetry.
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|a United States.
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|a Poésie anglaise.
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|a POETRY
|x American
|x General.
|2 bisacsh
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|a English poetry
|2 fast
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|a United States
|2 fast
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|a English poetry
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|a United States
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|i Print version:
|z 9780822315018
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv1220jt9
|z Texto completo
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|a YBP Library Services
|b YANK
|n 2956487
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|a 92
|b IZTAP
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