Pierrot in Petrograd : the Commedia dell'arte/Balagan in twentieth-century Russian theatre and drama /

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Douglas Clayton examines the tradition of commedia dell'arte as the Russian modernists inherited it, from its origins in Italian street theatre through its various transformations: in Italy (Gozzi and Goldini's plays); in France (the development of Pierrot and the restructuring of the plot...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Clayton, J. Douglas (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Montréal ; Buffalo : McGill-Queen's University Press, ©1993.
Temas:
1900-1999
Commedia dell'arte > History and criticism.
Russian drama > 20th century > History and criticism.
Commedia dell'arte > Histoire et critique.
Théâtre russe > 20e siècle > Histoire et critique.
DRAMA > Continental European.
DRAMA > Russian & Former Soviet Union.
LITERARY CRITICISM > Drama.
Commedia dell'arte
Russian drama
Electronic books.
Criticism, interpretation, etc.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Contents
  • Preface
  • Illustrations
  • Prologue
  • 1 Who Was That Masked Man?
  • 2 Improvisation and Dissonance: Commedia dell'Arte and the Crisis in Theatre
  • 3 Pierrot Comes to Petersburg: 1903â€?17
  • 4 Red Harlequins: The Balagan as a Theatrical Genre
  • 5 Pierrot or Petrushka? Russian Harlequinades
  • 6 Russian Pirandellos: The Balagan as a Dramatic Genre
  • 7 Harlequin's Shadow: The Film as Balagan
  • 8 The Empty Throne: Theatre as Metahistory
  • Appendix A: The Beggar Harlequin
  • Appendix B: Today's Columbine
  • Appendix C: Fiametta's Four Corpses
  • Appendix D: The LoversAppendix E: Harlequin the Card-Lover
  • Appendix F: The Apes Are Coming!
  • Notes
  • Bibliography
  • Index
  • A
  • B
  • C
  • D
  • E
  • F
  • G
  • H
  • I
  • J
  • K
  • L
  • M
  • N
  • O
  • P
  • Q
  • R
  • S
  • T
  • U
  • V
  • W
  • Y
  • Z

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