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Pierrot in Petrograd : the Commedia dell'arte/Balagan in twentieth-century Russian theatre and drama /
Douglas Clayton examines the tradition of commedia dell'arte as the Russian modernists inherited it, from its origins in Italian street theatre through its various transformations: in Italy (Gozzi and Goldini's plays); in France (the development of Pierrot and the restructuring of the plot...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Montréal ; Buffalo :
McGill-Queen's University Press,
©1993.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Clayton, J. Douglas, |e author. | |
| 245 | 1 | 0 | |a Pierrot in Petrograd : |b the Commedia dell'arte/Balagan in twentieth-century Russian theatre and drama / |c J. Douglas Clayton. |
| 260 | |a Montréal ; |a Buffalo : |b McGill-Queen's University Press, |c ©1993. | ||
| 300 | |a 1 online resource (x, 369 pages, 8 unnumbered pages of plates) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file | ||
| 504 | |a Includes bibliographical references (pages 335-348) and index. | ||
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Contents -- Preface -- Illustrations -- Prologue -- 1 Who Was That Masked Man? -- 2 Improvisation and Dissonance: Commedia dell'Arte and the Crisis in Theatre -- 3 Pierrot Comes to Petersburg: 1903�17 -- 4 Red Harlequins: The Balagan as a Theatrical Genre -- 5 Pierrot or Petrushka? Russian Harlequinades -- 6 Russian Pirandellos: The Balagan as a Dramatic Genre -- 7 Harlequin's Shadow: The Film as Balagan -- 8 The Empty Throne: Theatre as Metahistory -- Appendix A: The Beggar Harlequin -- Appendix B: Today's Columbine -- Appendix C: Fiametta's Four Corpses | |
| 505 | 8 | |a Appendix D: The LoversAppendix E: Harlequin the Card-Lover -- Appendix F: The Apes Are Coming! -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z | |
| 546 | |a English. | ||
| 520 | |a Douglas Clayton examines the tradition of commedia dell'arte as the Russian modernists inherited it, from its origins in Italian street theatre through its various transformations: in Italy (Gozzi and Goldini's plays); in France (the development of Pierrot and the restructuring of the plot); and in Germany (Tieck's and Hoffmann's metatheatre). He also analyses crucial texts by Gozzi, Lothar, Benavente, and Schnitzler that came to play a central role in the Russian theatre. Tracing the history of commedia dell'arte on the Russian stage, he demonstrates that the introduction of the tradition was theory-driven and discusses several milestone productions in the pre- and post-revolutionary period. Clayton examines the impact of commedia dell'arte, russified as the new theatrical genre of balagan, on both popular and lesser-known Russian playwrights, and, in conclusion, explores the significance of the commedia dell'arte as a theoretical underpinning for Sergei Eisenstein's theories of theatre and film. | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a Commedia dell'arte |x History and criticism. | |
| 650 | 0 | |a Russian drama |y 20th century |x History and criticism. | |
| 650 | 6 | |a Commedia dell'arte |x Histoire et critique. | |
| 650 | 6 | |a Théâtre russe |y 20e siècle |x Histoire et critique. | |
| 650 | 7 | |a DRAMA |x Continental European. |2 bisacsh | |
| 650 | 7 | |a DRAMA |x Russian & Former Soviet Union. |2 bisacsh | |
| 650 | 7 | |a LITERARY CRITICISM |x Drama. |2 bisacsh | |
| 650 | 7 | |a Commedia dell'arte |2 fast | |
| 650 | 7 | |a Russian drama |2 fast | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 0 | |a Electronic books. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Clayton, J. Douglas. |t Pierrot in Petrograd. |d Montréal : McGill-Queen's University Press, ©1993 |z 0773511369 |w (DLC) 95103530 |w (OCoLC)28846439 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt807pj |z Texto completo |
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