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Americanizing the movies and "movie-mad" audiences, 1910-1914 /
This engaging, deeply researched study provides the richest and most nuanced picture we have to date of cinema - both movies and movie-going - in the early 1910s. At the same time, it makes clear the profound relationship between early cinema and the construction of a national identity in this impor...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Berkeley :
University of California Press,
©2006.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Abel, Richard, |d 1941- | |
| 245 | 1 | 0 | |a Americanizing the movies and "movie-mad" audiences, 1910-1914 / |c Richard Abel. |
| 246 | 3 | |a Imagined community of United States cinema | |
| 260 | |a Berkeley : |b University of California Press, |c ©2006. | ||
| 300 | |a 1 online resource (xvii, 373 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 347 | |a data file | ||
| 380 | |a Bibliography | ||
| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a This engaging, deeply researched study provides the richest and most nuanced picture we have to date of cinema - both movies and movie-going - in the early 1910s. At the same time, it makes clear the profound relationship between early cinema and the construction of a national identity in this important transitional period in the United States. Abel sheds new light on the history of the film industry, on working-class and immigrant culture at the turn of the century, and on the process of imaging a national community. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a American variety and/or foreign features : the throes of film distribution -- The "usable past" of westerns I -- The "usable past" of westerns II -- The "usable past" of Civil War films, during the "Golden Jubilee" -- The "usable present" of thrillers, from the jungle to the city -- "The power of personality in pictures": movie stars and "matinee girls." | |
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| 650 | 0 | |a Motion pictures |z United States |x History. | |
| 650 | 0 | |a Motion pictures |x Social aspects |z United States. | |
| 650 | 0 | |a Nationalism |z United States. | |
| 650 | 6 | |a Cinéma |z États-Unis |x Histoire. | |
| 650 | 6 | |a Cinéma |x Aspect social |z États-Unis. | |
| 650 | 6 | |a Nationalisme |z États-Unis. | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x General. |2 bisacsh | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 650 | 7 | |a Motion pictures |x Social aspects |2 fast | |
| 650 | 7 | |a Nationalism |2 fast | |
| 651 | 7 | |a United States |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Abel, Richard, 1941- |t Americanizing the movies and "movie-mad" audiences, 1910-1914. |d Berkeley : University of California Press, ©2006 |z 0520247426 |w (DLC) 2005025769 |w (OCoLC)61478728 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.1525/j.ctt1pphvx |z Texto completo |
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