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080423s2006 ncu ob 001 0deng d |
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|a 9780822387060
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|z 0822336057
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|q alk. paper)
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|a AU@
|b 000062615344
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|a AU@
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|a (OCoLC)226068110
|z (OCoLC)607671626
|z (OCoLC)631718661
|z (OCoLC)1053401177
|z (OCoLC)1097276773
|z (OCoLC)1171369386
|z (OCoLC)1172006870
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|a 22573/ctv1121c4m
|b JSTOR
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|a dlr
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|a n-us---
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|a PN2287.W46
|b C55 2006
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|a PER
|x 015000
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|2 22
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|a AP 44200
|2 rvk
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|a UAMI
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|a Chude-Sokei, Louis Onuorah,
|d 1967-
|e author.
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|a The last "darky" :
|b Bert Williams, black-on-black minstrelsy, and the African diaspora /
|c Louis Chude-Sokei.
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|a Durham [N.C.] :
|b Duke University Press,
|c 2006.
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|a 1 online resource (277 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Includes bibliographical references (pages 263-272) and index.
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|a Black minstrel, black modernism -- Migrations of a mask -- Theorizing black-on-black cross-culturality -- The global economy of minstrelsy -- In Dahomey -- Claude McKay's calypso.
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|a Print version record.
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
|5 MiAaHDL
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|a Examines the use of Africa as a figure in the Harlem Renaissance and looks at the place of that movement within a wider Black modernism.
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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|a Williams, Bert,
|d 1874-1922
|x Criticism and interpretation.
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|a Williams, Bert,
|d 1874-1922
|2 fast
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|a Williams, Bert.
|2 idszbz
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|a Williams, Bert A.,
|d 1876-1922.
|2 nta
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|a Williams, Bert.
|2 swd
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|a Blackface entertainers
|z United States.
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|a Minstrel shows
|z United States
|x History
|y 20th century.
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|a Blackface (Artistes du spectacle)
|z États-Unis.
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|a Spectacles de ménestrels (Théâtre américain)
|z États-Unis
|x Histoire
|y 20e siècle.
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|a PERFORMING ARTS
|x Comedy.
|2 bisacsh
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|a SOCIAL SCIENCE
|x Ethnic Studies
|x African American Studies.
|2 bisacsh
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|a Blackface entertainers
|2 fast
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|a Minstrel shows
|2 fast
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|a United States
|2 fast
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|a Minstrel show
|2 gnd
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|a Minstrel
|z USA
|x Geschichte.
|2 idszbz
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|a USA
|x Minstrel
|x Geschichte.
|2 idszbz
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|a 1900-1999
|2 fast
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|a Criticism, interpretation, etc.
|2 fast
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|a History
|2 fast
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|i Print version:
|a Chude-Sokei, Louis Onuorah, 1967-
|t Last "darky".
|d Durham [N.C.] : Duke University Press, 2006
|w (DLC) 2005015954
|w (OCoLC)60603173
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|a e-Duke books scholarly collection.
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv11315wh
|z Texto completo
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|a EBSCOhost
|b EBSC
|n 600156
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|a YBP Library Services
|b YANK
|n 2956862
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|a 92
|b IZTAP
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