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The remasculinization of Korean cinema /

Argues that although the last two decades of Korean history were a period of progress in political democratization, the country refused to part from a "masculine point of view" which is also mirrored in Korean cinema.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Kim, Kyung Hyun, 1969- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham : Duke University Press, 2004.
Colección:Asia-Pacific.
E-Duke books scholarly collection.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Kim, Kyung Hyun,  |d 1969-  |e author. 
245 1 4 |a The remasculinization of Korean cinema /  |c Kyung Hyun Kim. 
260 |a Durham :  |b Duke University Press,  |c 2004. 
300 |a 1 online resource (xii, 332 pages) :  |b illustrations 
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490 1 |a Asia-Pacific 
504 |a Includes bibliographical references (pages 277-312) and index. 
504 |a Filmography: pages 313-319. 
505 0 |a I. Genres of post-trauma ; 1. At the edge of a metropolis in A fine, windy day and Green fish ; 2. Nowhere to run: disenfranchised men on the road in The man with three coffins, Sopyonje, and Out to the world ; 3. "Is this how the war is remembered?": violent sex and Korean War in Silver stallion, Spring in my hometown, and The Taebaek Mountains ; 4. Post-trauma and historical remembrance in A single spark and A petal -- II. New Korean cinema auteurs ; 5. Male crisis in the early films of Park Kwang-su ; 6. Jang Sun-woo's Three "F" words: familism, fetishism, and fascism ; 7. Too early/too Late: temporality and repetition in Hong Sang-su's films -- III. Fin-de-siècle anxieties ; 8. Lethal work: domestic space and gender troubles in Happy end and The housemaid ; 9. "Each man kills the thing he loves": transgressive agents, national security, and blockbuster aesthetics in Shiri and Joint security area. 
588 0 |a Print version record. 
506 |3 Use copy  |f Restrictions unspecified  |2 star  |5 MiAaHDL 
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520 |a Argues that although the last two decades of Korean history were a period of progress in political democratization, the country refused to part from a "masculine point of view" which is also mirrored in Korean cinema. 
546 |a English. 
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650 0 |a Motion pictures  |z Korea (South) 
650 0 |a Men in motion pictures. 
650 0 |a Masculinity in motion pictures. 
650 6 |a Cinéma  |z Corée du Sud. 
650 6 |a Hommes au cinéma. 
650 6 |a Masculinité au cinéma. 
650 7 |a ART  |x Film & Video.  |2 bisacsh 
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650 7 |a PERFORMING ARTS  |x Film & Video  |x General.  |2 bisacsh 
650 7 |a Masculinity in motion pictures.  |2 fast  |0 (OCoLC)fst01011041 
650 7 |a Men in motion pictures.  |2 fast  |0 (OCoLC)fst01016057 
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650 1 7 |a Mannelijkheid.  |2 gtt 
776 0 8 |i Print version:  |a Kim, Kyung Hyun, 1969-  |t Remasculinization of Korean cinema.  |d Durham : Duke University Press, 2004  |w (DLC) 2003016644  |w (OCoLC)52750184 
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