In the name of national security : Hitchcock, homophobia, and the political construction of gender in postwar America /

Mostrar otras versiones (2)

In the Name of National Security exposes the ways in which the films of Alfred Hitchcock, in conjunction with liberal intellectuals and political figures of the 1950s, fostered homophobia so as to politicize issues of gender in the United States. As Corber shows, throughout the 1950s a cast of mind...

Descripción completa

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Corber, Robert J., 1958-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham : Duke University Press, 1993.
Colección:New Americanists.
e-Duke books scholarly collection.
Temas:
Hitchcock, Alfred, > 1899-1980 > Criticism and interpretation.
Hitchcock, Alfred, > 1899-1980.
Hitchcock, Alfred, > 1899-1980
Motion pictures > Political aspects > United States.
Homosexuality in motion pictures.
Homosexualité au cinéma.
Cinéma > Aspect politique > États-Unis.
PERFORMING ARTS > Film & Video > Direction & Production.
Homosexuality in motion pictures
Motion pictures > Political aspects
Politisering.
Films.
United States
Cinema > Films (Motion pictures) > Directing
Criticism, interpretation, etc.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Draped in the American flag : Cold War liberals and the resistance to theory
  • Reconstructing homosexuality : Hitchcock and the homoerotics of spectatorial pleasure
  • Resisting history : Rear window and the limits of postwar settlement
  • The fantasy of the maternal voice : The Man who knew too much and the erotization of motherhood
  • "There are many such stories" : Vertigo and the repression of historical knowledge
  • Hitchcock through the looking glass : Psycho and the breakdown of the social.

Ejemplares similares