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In the name of national security : Hitchcock, homophobia, and the political construction of gender in postwar America /

In the Name of National Security exposes the ways in which the films of Alfred Hitchcock, in conjunction with liberal intellectuals and political figures of the 1950s, fostered homophobia so as to politicize issues of gender in the United States. As Corber shows, throughout the 1950s a cast of mind...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Corber, Robert J., 1958-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham : Duke University Press, 1993.
Colección:New Americanists.
e-Duke books scholarly collection.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Corber, Robert J.,  |d 1958- 
245 1 0 |a In the name of national security :  |b Hitchcock, homophobia, and the political construction of gender in postwar America /  |c Robert J. Corber. 
260 |a Durham :  |b Duke University Press,  |c 1993. 
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504 |a Includes bibliographical references (pages 227-256) and index. 
505 0 |a Draped in the American flag : Cold War liberals and the resistance to theory -- Reconstructing homosexuality : Hitchcock and the homoerotics of spectatorial pleasure -- Resisting history : Rear window and the limits of postwar settlement -- The fantasy of the maternal voice : The Man who knew too much and the erotization of motherhood -- "There are many such stories" : Vertigo and the repression of historical knowledge -- Hitchcock through the looking glass : Psycho and the breakdown of the social. 
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538 |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.  |u http://purl.oclc.org/DLF/benchrepro0212  |5 MiAaHDL 
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520 |a In the Name of National Security exposes the ways in which the films of Alfred Hitchcock, in conjunction with liberal intellectuals and political figures of the 1950s, fostered homophobia so as to politicize issues of gender in the United States. As Corber shows, throughout the 1950s a cast of mind known as the Cold War consensus prevailed in the United States. Promoted by Cold War liberals--that is, liberals who wanted to perserve the legacies of the New Deal but also wished to separate liberalism from a Communist-dominated cultural politics--this consensus was grounded in the. 
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650 6 |a Homosexualité au cinéma. 
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