Appropriating Blackness : performance and the politics of authenticity /

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A consideration of the performance of Blackness and race in general, in relation to sexuality and critiques of authenticity.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Johnson, E. Patrick, 1967- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham [N.C.] : Duke University Press, 2003.
Colección:e-Duke books scholarly collection.
Temas:
African Americans > Race identity.
African Americans > Intellectual life.
African Americans in popular culture.
Authenticity (Philosophy) > Political aspects > United States.
Performing arts > Social aspects > United States.
Performing arts > Political aspects > United States.
Noirs américains > Identité ethnique.
Noirs américains > Vie intellectuelle.
Noirs américains dans la culture populaire.
Authenticité (Philosophie) > Aspect politique > États-Unis.
Arts du spectacle > Aspect social > États-Unis.
Arts du spectacle > Aspect politique > États-Unis.
SOCIAL SCIENCE > Ethnic Studies > African American Studies.
BIOGRAPHY & AUTOBIOGRAPHY > Cultural Heritage.
Performing arts > Political aspects.
Performing arts > Social aspects.
Race relations.
Kultur
Erziehung
action (art) > Afro-américain (peuple) > culture > Etats-Unis.
United States > Race relations.
États-Unis > Relations raciales.
United States.
USA
Schwärze
Acceso en línea:Texto completo
Tabla de Contenidos:
  • "Blackness" and authenticity : what's performance got to do with it?
  • The pot is brewing : Marlon Riggs' Black is ... Black ain't
  • Manifest faggotry : queering masculinity in African American culture
  • Mother knows best : Blackness and transgressive domestic space
  • "Nevah had uh cross word" : mammy and the trope of Black womanhood
  • Sounds of Blackness down under : the Café of the Gate of Salvation
  • Performance and/as pedagogy : performing Blackness in the classroom.

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