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|a UAMI
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|a Conley, Tom.
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|a Cartographic cinema /
|c Tom Conley.
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|a Minneapolis :
|b University of Minnesota Press,
|c ©2007.
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|a 1 online resource (viii, 264 pages) :
|b illustrations
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|a Filmography
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|a Icarian cinema: Paris qui dort -- Jean Renoir: cartographies in deep focus -- Maps and theaters of torture: Roma, città aperta -- A desperate journey: from Casablanca to Indiana Jones -- Juvenile geographies: Les mistons -- Michelin Tendre: Les amants -- Paris Underground: Les 400 coups -- A roadmap for a road movie: Thelma and Louise -- Cronos, cosmos, and Polis: La haine -- Ptolemy, Gladiator, and empire.
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|a Includes bibliographical references (pages 241-249) and index.
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|a Includes filmography: pages 251-253.
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|a Print version record.
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|a Maps and movies tell their viewers where they are situated, what they are doing, and, to a strong degree, who they are. In this groundbreaking work, eminent scholar Tom Conley establishes the ideological power of maps in classic, contemporary, and avant-garde cinema to shape the imaginary and mediated relations we hold with the world.
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a Maps in motion pictures.
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|a Cartes géographiques au cinéma.
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|a PERFORMING ARTS
|x Film & Video
|x Reference.
|2 bisacsh
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|a PERFORMING ARTS
|x Film & Video
|x History & Criticism.
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|a Maps in motion pictures
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|i Print version:
|a Conley, Tom.
|t Cartographic cinema.
|d Minneapolis : University of Minnesota Press, ©2007
|z 9780816643561
|z 0816643563
|w (DLC) 2006032950
|w (OCoLC)73501932
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|u https://jstor.uam.elogim.com/stable/10.5749/j.ctttv9qt
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