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|a Performing hybridity /
|c May Joseph, Jennifer Natalya Fink, editors.
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|a Minneapolis :
|b University of Minnesota Press,
|c ©1999.
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|a 1 online resource (vii, 258 pages) :
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|a Includes bibliographical references.
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|a Acknowledgments; Introduction: New Hybrid Identities and Performance; Part I: Transnational Hybridities; Three Poems on the Poverty of History; Culture and the Global Economy; A Blast from the Past; Palimpsestic Aesthetics: A Meditation on Hybridity and Garbage; The Daughters of Gandhi: Africanness, Indianness, and Brazilianness in the Bahian Carnival; Floating Signification: Carnivals and the Transgressive Performance of Hybridity; Hybridity and Other Poems; The Autoethnographic Performance: Reading Richard Fung's Queer Hybridity.
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|a Amid the modern-day complexities of migration and exile, immigration and repatriation, notions of stable national identity give way to ideas about cultural "hybridity." The authors represented in this volume use different forms of performative writing to question this process, to ask how the production of new political identities destabilizes ideas about gender, sexuality, and the nation in the public sphere
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|a Cultural fusion and the arts.
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|a Performing arts.
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|a Joseph, May,
|e editor.
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|a Fink, Jennifer Natalya,
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|i Print version:
|t Performing hybridity.
|d Minneapolis : University of Minnesota Press, ©1999
|z 0816630100
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