In the break : the aesthetics of the Black radical tradition /

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"In his controversial essay on white jazz musician Burton Greene, Amiri Baraka asserted that jazz was exclusively an African American art form and explicitly fused the idea of a black aesthetic with radical political traditions of the African diaspora. 'In the Break' is an extended ri...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Moten, Fred (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Minneapolis, MN : University of Minnesota Press, [2003]
Temas:
African Americans > Intellectual life.
African Americans > Politics and government.
Radicalism > United States.
Jazz > Philosophy and aesthetics.
African American aesthetics.
African American arts.
African American philosophy.
Arts > Political aspects > United States.
Improvisation in art.
Sex in music.
Noirs américains > Vie intellectuelle.
Noirs américains > Politique et gouvernement.
Radicalisme > États-Unis.
Jazz > Philosophie et esthétique.
Esthétique noire américaine.
Arts noirs américains.
Philosophie noire américaine.
Improvisation (Art)
Sexualité dans la musique.
ART > Reference.
ART > Performance.
MUSIC > History & Criticism.
Arts > Political aspects.
Radicalism.
Literatur
Musik
Politisches Denken
Schwarze
Radicalisme.
Esthetica.
Geschichte 1950-1969.
United States.
USA
Schwärze
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Resistance of the object: Aunt Hester's scream
  • 1. The sentimental avant-garde. Duke Ellington's sound of love ; Voices/forces ; Sound in florescence (Cecil Taylor Floating Garden) ; Praying with Eric
  • 2. In the break. Tragedy, elegy ; The dark lady and the sexual cut ; German inversion ; 'Round the five spot
  • 3. Visible music. Baldwin's Baraka, his mirror stage, the sound of his gaze ; Black mo'nin' in the sound of the photograph ; Tonality of totality
  • Resistance of the object : Adrian Piper's theatricality.

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