Ethnographic film /
Clasificación: | Libro Electrónico |
---|---|
Autor principal: | |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Austin :
University of Texas Press,
2006.
|
Edición: | Rev. ed. |
Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- 1. Introduction
- Toward a definition : the nature of the category "ethnographic film"
- The nature of ethnography
- The differing natures of ethnography and film
- "Truth" in film and ethnography
- 2. A history of ethnographic film
- Background factors
- Prehistory : the explorers
- Grass
- Scripted fictional films
- Bateson and Mead in Bali and New Guinea
- Jean Rouch
- John Marshall
- Robert Gardner
- Timothy Asch
- University of California American Indian Series
- The Netsilik Eskimo Project
- Australia
- The natives' view
- Institutionalization of ethnographic film
- 3. The attributes of ethnographic film
- The attributes
- Additional principles
- The attributes as dimensions
- 4. Making ethnographic film
- The ethics of ethnographic filmmaking
- An ethnographic film must be based on ethnographic understanding
- An ethnographic film must exploit the visual potential of film
- Whole bodies, whole interactions, and whole people in whole acts
- Division of labor
- The meaning of real collaboration
- An ethnographic film cannot stand by itself
- Ethnographic films from research footage
- Preservation of the film record
- 5. The use of ethnographic films in teaching
- Films and background reading
- Strategies
- Appendix. A brief descriptive catalog of films.