Cargando…

Class struggle in Hollywood, 1930-1950 : moguls, mobsters, stars, Reds, & trade unionists /

"This book is destined to be a bombshell in the field and perhaps far beyond the field."--Paul Buhle, coauthor of Tender Comrades: A Backstory of the Hollywood Blacklist As World War II wound down in 1945 and the cold war heated up, the skilled trades that made up the Conference of Studio...

Descripción completa

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Horne, Gerald
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Austin : University of Texas Press, 2001.
Edición:1st ed.
Temas:
Acceso en línea:Texto completo

MARC

LEADER 00000cam a2200000Ma 4500
001 JSTOR_ocn191934640
003 OCoLC
005 20231005004200.0
006 m o d
007 cr cn|||||||||
008 000218s2001 txuaf ob 001 0 eng d
040 |a COO  |b eng  |e pn  |c COO  |d OCLCQ  |d OCLCE  |d E7B  |d DKDLA  |d ADU  |d N$T  |d YDXCP  |d FVL  |d OCLCQ  |d OCLCO  |d OCLCQ  |d OCLCF  |d OCLCA  |d P@U  |d OCLCQ  |d EBLCP  |d OCLCQ  |d TEFOD  |d OCLCQ  |d AZK  |d LOA  |d COCUF  |d MOR  |d PIFBR  |d ZCU  |d MERUC  |d OCLCQ  |d IOG  |d U3W  |d OCLCA  |d STF  |d WRM  |d ICG  |d VT2  |d AU@  |d OCLCQ  |d WYU  |d TKN  |d OCLCQ  |d DKC  |d OCLCQ  |d UX1  |d CEF  |d HS0  |d UWK  |d OCLCQ  |d KCP  |d OCLCO  |d OCLCQ  |d SNU  |d UK7LJ  |d OCLCQ  |d OCLCO  |d OCLCQ  |d JSTOR  |d REDDC  |d OCLCQ 
019 |a 70208210  |a 301304776  |a 488796397  |a 606487043  |a 614978476  |a 722599028  |a 728043858  |a 872022284  |a 961526751  |a 962593870  |a 966208480  |a 975769990  |a 988414183  |a 992022764  |a 1017994113  |a 1037934092  |a 1038660458  |a 1041923250  |a 1055357792  |a 1058290750  |a 1064738026  |a 1078562055  |a 1081287002  |a 1101710946  |a 1103587613  |a 1108960269  |a 1110299271  |a 1112816251  |a 1119001460  |a 1126055846  |a 1148096881  |a 1154844504  |a 1156017022  |a 1228545124  |a 1257361908  |a 1390923468  |a 1391440527  |a 1392343405  |a 1393304948 
020 |a 0292796404  |q (electronic bk.) 
020 |a 9780292796409  |q (electronic bk.) 
020 |a 029273137X 
020 |a 9780292731370 
020 |z 9780292731387 
020 |z 0292731388 
024 3 |a 9780292731370 
029 1 |a AU@  |b 000053011924 
029 1 |a AU@  |b 000062326760 
029 1 |a DEBBG  |b BV044118372 
029 1 |a NZ1  |b 12063482 
029 1 |a DKDLA  |b 820120-katalog:999934297105765 
035 |a (OCoLC)191934640  |z (OCoLC)70208210  |z (OCoLC)301304776  |z (OCoLC)488796397  |z (OCoLC)606487043  |z (OCoLC)614978476  |z (OCoLC)722599028  |z (OCoLC)728043858  |z (OCoLC)872022284  |z (OCoLC)961526751  |z (OCoLC)962593870  |z (OCoLC)966208480  |z (OCoLC)975769990  |z (OCoLC)988414183  |z (OCoLC)992022764  |z (OCoLC)1017994113  |z (OCoLC)1037934092  |z (OCoLC)1038660458  |z (OCoLC)1041923250  |z (OCoLC)1055357792  |z (OCoLC)1058290750  |z (OCoLC)1064738026  |z (OCoLC)1078562055  |z (OCoLC)1081287002  |z (OCoLC)1101710946  |z (OCoLC)1103587613  |z (OCoLC)1108960269  |z (OCoLC)1110299271  |z (OCoLC)1112816251  |z (OCoLC)1119001460  |z (OCoLC)1126055846  |z (OCoLC)1148096881  |z (OCoLC)1154844504  |z (OCoLC)1156017022  |z (OCoLC)1228545124  |z (OCoLC)1257361908  |z (OCoLC)1390923468  |z (OCoLC)1391440527  |z (OCoLC)1392343405  |z (OCoLC)1393304948 
037 |a FFBDFEFF-220F-44CB-9941-ED36F8A8C8BA  |b OverDrive, Inc.  |n http://www.overdrive.com 
037 |a 22573/ctv1wtr7w2  |b JSTOR 
042 |a dlr 
043 |a n-us--- 
050 4 |a PN1993.5.U65  |b H67 2001eb 
072 7 |a BUS  |x 038000  |2 bisacsh 
072 7 |a POL  |x 013000  |2 bisacsh 
072 7 |a PER  |x 000000  |2 bisacsh 
072 7 |a PER  |x 004000  |2 bisacsh 
082 0 4 |a 331.88/1179143/0979494  |2 21 
084 |a 24.32  |2 bcl 
049 |a UAMI 
100 1 |a Horne, Gerald. 
245 1 0 |a Class struggle in Hollywood, 1930-1950 :  |b moguls, mobsters, stars, Reds, & trade unionists /  |c Gerald Horne. 
250 |a 1st ed. 
260 |a Austin :  |b University of Texas Press,  |c 2001. 
300 |a 1 online resource (xiii, 331 pages, 16 unnumbered pages of plates) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
347 |a data file 
504 |a Includes bibliographical references and index. 
588 0 |a Print version record. 
506 |3 Use copy  |f Restrictions unspecified  |2 star  |5 MiAaHDL 
533 |a Electronic reproduction.  |b [Place of publication not identified] :  |c HathiTrust Digital Library,  |d 2010.  |5 MiAaHDL 
538 |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.  |u http://purl.oclc.org/DLF/benchrepro0212  |5 MiAaHDL 
583 1 |a digitized  |c 2010  |h HathiTrust Digital Library  |l committed to preserve  |2 pda  |5 MiAaHDL 
520 8 |a "This book is destined to be a bombshell in the field and perhaps far beyond the field."--Paul Buhle, coauthor of Tender Comrades: A Backstory of the Hollywood Blacklist As World War II wound down in 1945 and the cold war heated up, the skilled trades that made up the Conference of Studio Unions (CSU) began a tumultuous strike at the major Hollywood studios. This turmoil escalated further when the studios retaliated by locking out CSU in 1946. This labor unrest unleashed a fury of Red-baiting that allowed studio moguls to crush the union and seize control of the production process, with far-reaching consequences. This engrossing book probes the motives and actions of all the players to reveal the full story of the CSU strike and the resulting lockout of 1946. Gerald Horne draws extensively on primary materials and oral histories to document how limited a "threat" the Communist party actually posed in Hollywood, even as studio moguls successfully used the Red scare to undermine union clout, prevent film stars from supporting labor, and prove the moguls' own patriotism. Horne also discloses that, unnoticed amid the turmoil, organized crime entrenched itself in management and labor, gaining considerable control over both the "product" and the profits of Hollywood. This research demonstrates that the CSU strike and lockout were a pivotal moment in Hollywood history, with consequences for everything from production values, to the kinds of stories told in films, to 
546 |a English. 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
590 |a JSTOR  |b Books at JSTOR All Purchased 
650 0 |a Motion picture industry  |x Employees  |x Labor unions  |z California  |z Los Angeles. 
650 6 |a Cinéma  |x Industrie  |x Personnel  |x Syndicats  |z Californie  |z Los Angeles. 
650 7 |a BUSINESS & ECONOMICS  |x Labor.  |2 bisacsh 
650 7 |a POLITICAL SCIENCE  |x Labor & Industrial Relations.  |2 bisacsh 
650 7 |a PERFORMING ARTS / General  |2 bisacsh 
650 7 |a Motion picture industry  |x Employees  |x Labor unions.  |2 fast  |0 (OCoLC)fst01027157 
651 7 |a California  |z Los Angeles.  |2 fast  |0 (OCoLC)fst01204540 
776 0 8 |i Print version:  |a Horne, Gerald.  |t Class struggle in Hollywood, 1930-1950.  |b 1st ed.  |d Austin : University of Texas Press, 2001  |z 029273137X  |z 9780292731370  |w (DLC) 00025950  |w (OCoLC)43684524 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.7560/731370  |z Texto completo 
938 |a ProQuest Ebook Central  |b EBLB  |n EBL3443068 
938 |a ebrary  |b EBRY  |n ebr10190650 
938 |a EBSCOhost  |b EBSC  |n 157572 
938 |a Project MUSE  |b MUSE  |n muse1988 
938 |a YBP Library Services  |b YANK  |n 2448827 
994 |a 92  |b IZTAP