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Yellow crocodiles and blue oranges : Russian animated film since World War Two /
"In 1999, Boris Yeltsin passed a resolution to resurrect the biggest cartoon studio in Eastern Europe, Soiuzmul'tfil'm. From the mid-1930s until its forced demise in the mid-1990s, the studio had produced more than 1,500 films. Yeltsin felt it important that Soiuzmul'tfil'm...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Montreal ; Ithaca :
McGill-Queen's University Press,
©2005.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Introduction : socialism and the big-hearted silliness of Soviet popular culture
- pt. I. The philosophy and socialist status of the animated Epoché
- Is the philosophy of Soviet animation an anomaly?
- Cartography : mapping the status of phenomenology in the Soviet Union
- pt. II. The provenance of animated phenomenology
- Several paradoxes of Soviet realism and Disney's unexpected alternative
- The annals of Soviet animation : consciousness versus historicism. From World War Two until 1970 ; From 1970 to the present
- pt. III. Journalism and the Vox populi
- Realism : the press and public respond
- Originality : innovation and the tenacity of logocentrism and profiteering
- Humour : minor modes and major politics
- Music : the remarkable, kind laws of the "land of animation"
- Conclusion
- Notes
- Bibliography
- Filmography
- Screenplays
- Index.