Public and private : gender, class, and the British novel (1764-1878) /

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By addressing novels such as Mary Shelley's Frankenstein and Jane Austen's Emma through the lens of the theories of Jürgen Habermas and Michel Foucault, Patricia McKee explores the themes of production and consumption as they relate to gender and class.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: McKee, Patricia, 1945- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Minneapolis : University of Minnesota Press, ©1997.
Temas:
1700-1899
English fiction > 19th century > History and criticism.
Social problems in literature.
Literature and society > Great Britain > History > 19th century.
Literature and society > Great Britain > History > 18th century.
English fiction > 18th century > History and criticism.
Capitalism and literature > Great Britain > History.
Production functions (Economic theory) in literature.
Consumption (Economics) in literature.
Social classes in literature.
Sex role in literature.
Production (Economic theory) in literature.
Problèmes sociaux dans la littérature.
Littérature et société > Grande-Bretagne > Histoire > 19e siècle.
Littérature et société > Grande-Bretagne > Histoire > 18e siècle.
Roman anglais > 18e siècle > Histoire et critique.
Capitalisme et littérature > Grande-Bretagne > Histoire.
Production dans la littérature.
Société de consommation dans la littérature.
Classes sociales dans la littérature.
Rôle selon le sexe dans la littérature.
Roman anglais > 19e siècle > Histoire et critique.
LITERARY CRITICISM > European > English, Irish, Scottish, Welsh.
LITERARY CRITICISM > Semiotics & Theory.
Production (Economic theory) in literature
Capitalism and literature
Consumption (Economics) in literature
English fiction
Literature and society
Sex role in literature
Social classes in literature
Social problems in literature
Great Britain
Criticism, interpretation, etc.
History
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Acknowledgments; Introduction; 1. Models of Stability: Production and Consumption in Humphry Clinker and The Castle of Otranto; 2. Productions of Knowledge: Emma and Frankenstein; 3. The Emptied Subject of Public Knowledge: The Old Curiosity Shop; 4. Public Knowledge, Common Knowledge, and Classifications of Will: Barchester Towers and Little Dorrit; 5. Gender as Order in Public and Private: East Lynne; 6. Naturalizing Class and Gender Distinctions: The Return of the Native; Conclusion; Notes; Index.

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